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Holy Ghost!: "Bridge & Tunnel (a/just/ed Remix)"
DFA
By Larry Fitzmaurice; April 3, 2014
Justin Strauss and Teddy Stuart's A/Jus/Ted project simply cannot keep themselves away from remixing DFA-affiliated disco-pop wrecking crew Holy Ghost!: first they took on Dynamics cut "Okay", and now they're lending their sparkly, impossibly light touch to another Dynamics dynamo, "Bridge & Tunnel". You'll recall that fellow NYC disco aesthetes did their own damn thing to "B&T" back in February.
Holy Ghost!: "Bridge & Tunnel (a/just/ed Remix)" (via SoundCloud)
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How to Dress Well: "Repeat Pleasure"
Weird World
By Jamieson Cox; April 3, 2014
Best New TrackEvery song Tom Krell writes and performs as How to Dress Well is a conversation: with romantic partners, with himself, with his complex web of musical ancestors. Based on what we’ve heard about new album “What Is This Heart?”, Krell’s penchant for communication is starting to leak out of his music, seeping into the names and titles that help give his compositions shape: an album title is a question imbued with mystery, a phrase like “Words I Don’t Remember” is a plea for memory and clarity. New single “Repeat Pleasure” continues in a similar vein, but finds Krell swapping out confusion and fogginess for pure, radiant joy.
Singing over a bed of sprightly, sunlit acoustic guitar—the melody sounds a little like Broken Social Scene’s languid “Pacific Theme”—and a bubbling rhythmic tapestry, he uses his disarming, angelic voice to profess his undying love. He has undergone a profound change, one that will linger for the rest of his life regardless of its outcome; hitting a crystalline note that’ll pierce even the hardest listeners, he declares, “Even broken, my heart will go on.” The sentiment is so simple, infectious and undeniable that the song’s title begins to seem like yet another piece of communication, this one taking the form of a recommendation to the masses: if you’re looking for pleasure, just hit repeat. -
Shannon and the Clams: "Mama"
Suicide Squeeze
By Evan Minsker; April 3, 2014
There are a few things you can usually count on with a new track from Oakland's Shannon and the Clams: a melody that could be ripped from a classic R&B or doo wop song, an impressive surf rock guitar solo from Cody Blanchard, and some awesomely brazen, full-throated, vibratto-filled vocals (also from Blanchard in this instance, though he and Shannon Shaw trade off vocal duties). Sure enough, that's what you get in their moon eyed new song "Mama"—yet another great single from a consistently great band. It's the latest entry in Suicide Squeeze's split singles series, out April 29 and backed by a new one from Portland surf fiends Guantanamo Baywatch.
Shannon and the Clams: "Mama" (via SoundCloud)
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Amateur Dance: "Still Amateur"
self-released
By Jake Cleland; April 2, 2014
Melbourne producer Joseph Cookson's first single "What I Had 2 Do" sampled Death Cab for Cutie, the perfect transition point for apprehensive indie bros looking to dip their toes in a higher BPM. His follow-up builds on that promise with self-deprecating vocal samples, only this time he dives right into the beat. "My life isn't that interesting", a woman nervously giggles, and you can envision pigeon toes cluttering the dance floor, hands in pockets, anxiously swaying side to side. True to Cookson's alias, his tracks as Amateur Dance evoke the feeling of the first time you step into a club. You scan the room and try to mimic everyone else—and as you adjust to this new environment, you realize you're actually having a really good time.
Amateur Dance: "Still Amateur" (via SoundCloud)
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White Hex: "Paradise"
Felte / It
By Ned Raggett; April 2, 2014
“No excuses, no demands” are the first words from Tara Green on this cut from White Hex’s upcoming sophomore album Gold Nights (out June 24), and the fierce, stern quality of the music underscores that statement. The opening synth/beat combination sets a mood of a version of the 1980s that never was, and Jimi Kritzler’s piercing lead melody towers over the arrangement like a skyscraper. Green’s own performance feels tightly focused and controlled, stretching out the song's title as the music takes on a coldly beautiful exultance.
White Hex: "Paradise" (via SoundCloud)
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Parquet Courts: "Sunbathing Animal"
What's Your Rupture? / Mom & Pop
By Stuart Berman; April 2, 2014
Best New TrackIn both its tales of impoverishment intoxication and its fondness for Velvets/Feelies-vintage locomotive grooves, Parquet Courts’ 2013 debut Light Up Gold was very much a document of New York City as seen through the eyes of newcomers. However, on the title track to their forthcoming sophomore release, the boys serve us a bracing reminder that they’re from the South.
“Sunbathing Animal” is a glorious mess of contradictions: it’s the least representative, most rigidly structured song from an otherwise free-ranging, stylistically sprawling album, somehow striking the middle ground between the militiaristic discipline of Pink Flag-era Wire and the brain-scrambling, desert-storming cow-punk of early Meat Puppets. It’s a jackhammered ’82 hardcore throwback that’s so breathlessly paced, even a motormouthed wordsmith like Andy Savage has trouble keeping up—yet at four minutes long, “Sunbathing Animal” is about four times as long as a hardcore song is supposed to be, accommodating at least two duelling-guitar jams. But then, that’s how Parquet Courts roll: They may be in a hurry, but they’re going to take their sweet time doing so.
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Strand of Oaks: "Goshen '97"
Dead Oceans
By Ian Cohen; April 2, 2014
Timothy Showalter has a very active fantasy life: the singer/songwriter behind Strand of Oaks has previously written songs about giants, bowling-related fatalities, exacting vengeance on John Belushi's drug dealer, and lunar colonies. On the lead track from his Dead Oceans debut HEAL, the Hoosier-born Showalter simply relates his own origin story: "I was fat, drunk and mean," he snarls, and he was also wasting away in his basement with Casio keyboards and singing Smashing Pumpkins songs in the mirror.
You can hear how this influenced the prog-folk on 2010's still-fascinating Pope Killdragon, but on "Goshen '97," but Strand of Oaks have evolved into a raw and reckless rock band here, ripping away the shame and humiliation of Showalter's teenage years. He looks back with more honesty than nostalgia, the chorus admitting, "I was lonely, but I was having fun." But "Goshen '97" doesn't need to be overt about what it's actually celebrating, which is Showalter actually living his own dream: he's on the same label as his idol (Jason Molina) and the artists he's toured with (Phosphorescent, the Tallest Man on Earth, Damien Jurado) and, yup, that's J Mascis playing guitar on here.
Strand of Oaks: "Goshen '97" (via SoundCloud)
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Sonic Avenues: "In Your Head"
Dirtnap
By Evan Minsker; April 2, 2014
Dirtnap Records released the Exploding Hearts' classic LP Guitar Romantic back in 2003. Eleven years later, they're still offering exciting power pop. Montreal's Sonic Avenues prove that quickly with "In Your Head" (off Mistakes, which is out April 15). The track finds its footing with some initial kinetic-but-acoustic guitar work, and from there, they springboard into rafter-reaching electric solo territory. By the time it picks up with handclaps, Max Desharnais' nasal vocals come in with some full-throated multi-tracked harmonies, and right as the chorus ends, he screams "GO!". It's got all the ingredients to keep Dirtnap's power pop stable as vital as it ever was.
Sonic Avenues: "In Your Head" (via SoundCloud)
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Lone: "2 Is 8"
R&S;
By Jamieson Cox; April 2, 2014
Best New TrackWorking as Lone, Matt Cutler’s spent the last half-decade putting together an astonishing run of highly distinctive, wildly enjoyable releases. His amalgams of house, rave, techno and hip-hop are rich with detail, and he slams them home with melodies that glow in the dark, as if he’s soundtracking films shot with color palettes our eyes can’t process yet. “2 Is 8” is the first single from his upcoming fifth full-length, Reality Testing (due June 17 via R&S), and while its title feels like a homage to one of Cutler’s sonic ancestors—if music is math, this might be a useful equation—its cocksure strut is more headstrong than Boards of Canada’s insular soundscapes. On "2 Is 8", Cutler is bridging the gap between dance music and hip-hop yet again with aplomb and panache.
Lone: "2 Is 8" (via SoundCloud)
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Glenn Jones: "From a Forgotten Session"
Thrill Jockey
By Grayson Haver Currin; April 1, 2014
Glenn Jones' guitar music is often wistful and curious, offering instrumental explorations of a setting or situation with emotional realism. Last year’s My Garden State was written while Jones cared for his elderly mother in New Jersey, and its songs could be melancholy and romantic, his feelings too connected to be either happy or sad. But “From a Forgotten Session”, a brief and once-discareded piece Jones salvaged from the sessions that led to Jack Rose’s 2008 collaborative album Dr Ragtime & Pals, fines Jones exploring an unabashed moment of anxiety. He first wanders around the theme, picking out solitary strings and clusters to let them decay against the silence. The worry finally emerges in great strands of notes, all caught in tangles that he pulls apart and pushes back together. “From a Forgotten Session” has the pacing of a raga but the personality of the blues, its tension stretching toward forever. Thrill Jockey releases the three-track Welcomed Wherever I Go on Record Store Day, April 19.
Glenn Jones: "From a Forgotten Session" (via SoundCloud)
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