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issue 01
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introducing

Delectable & Collectable

A quarterly print publication of long-form feature stories, photography, design, cartoons and other ephemera, The Pitchfork Review documents music culture, past and present.

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  • “Charged up by its stature as market leader, NME saw itself as a vanguard. Not just a guide for consumers but a cultural arbiter, one whose responsibility was not merely to report what was popular or emerging, but to decide what was relevant and progressive.”
    simon reynolds in “worth their wait: the uk weekly music press of yore vs. internet-driven, 24-hour news cycle, instant-access world”
  • Glenn Danzig, Photographed by Jeaneen Lund
  • The festival was in full swing, and Monterey was like a rainbow commune, an eye-opening, mind-blowing experience from the moment they arrived.
    Robert Gordon in
    "The Eternal Otis: Remembering
    Souleville's
    Fallen Son"
  • "Megg, Mogg & Owl (& Werewolf)"
    by Simon Hanselmann
  • "Apparently the audience went completely nuts when ‘Wild Thing’ started,” says Matt Dike, “and Hughes was sitting there at the screening watching people lose their shit and was like, ‘Oh, we’ve got to use that song. I’ve got to meet those guys.’
    Peter Relic's feature on
    how the most popular
    director of the ’80s and
    L.A.’s first break-through
    hip-hop label teamed up
    to create a John Candy
    classic.
  • Dirty Beaches, photographed by Nabil
Highlights from issue one:
  • Simon Reynolds uncovers the subtle beauty of competing music weeklies in the early 1980s.
  • Jessica Hundley gets Glenn Danzig to open up about his punk rock roots and still-festering hatred of 1970s arena rock.
  • A Super Sad True Love Story: The magnificent rise and tragic fall of soul legend Otis Redding as told by Memphis music scribe Robert Gordon, author of Respect Yourself: Stax Records and the Soul Explosion.
  • Original "Pitchfork Toons," including new work from Ron Regé, Jr., Paul Hornschemeier, Simon Hanselmann, Sophie Goldstein, and Johnny Sampson.
  • Peter Relic's first dispatch from his long-awaited, forthcoming book about the history of Delicious Vinyl and the birth of LA hip-hop.
  • Beautiful, glossy section of previously unpublished work by famed photographer Nabil.

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