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News
Canon Firmware Upgrades for Cinema EOS and XF Pro Camcorder Line
In addition to the optional feature upgrade for the EOS C300 camera, Canon has also announced the new RC-V100 remote control for Cinema EOS cameras and the XF Series professional HD camcorders
RE:Vision Twixtor 6 Now Supports Sony Vegas Pro
Twixtor synthesizes unique new frames by warping and interpolating frames of the original sequence by employing RE:Vision's proprietary tracking technology that calculates motion for each individual pixel
Litepanels Intros Sola 4 Traveler Kit
Designed specifically to accommodate the needs of shooters and productions on the go, the Sola 4 Traveler Kit includes three Sola 4 LED Fresnel fixtures in a rugged, ergonomically designed, trolley-style hard case
proDAD Unveils Heroglyph V4 LE Video Titler and Trailer Animation Tool
Heroglyph V4 LE streamlines the titling process by placing the complexity "under the hood" and giving users 500+ FastStart templates & elements for common projects, delivering highly creative results quickly for $99
... More News
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January/February 2014
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Enterprise Rushes to the Cloud, Yet Significant Hurdles Remain
Football Scores for Online Video Advertising
Telestream Wirecast 5: The Definitive Review
Current Digital Edition
Featured Articles
Apple FCP X and Compressor vs. Adobe CC, Part 1: Timeline-to-Transcode Workflows
by
Tim Siglin
, Paul Schmutzler
Paul Schmutzler
| We brave the "third rail" by testing two popular NLEs and their companion transcoding tools.
How to Brand Your Online Videos
by
Stjepan Alaupovic
| Successfully implementing branding in online video means making sure every video you produce accurately reflects and advances your company's or client's brand identity at each stage of the production process, as well as in your production style. This article explains how and when to pay attention to branding in your productions.
Tutorial: Fixing Clipped Audio with iZotope RX3
by
Jan Ozer
| We've all had the misfortune of recording clipped, distorted audio from a signal that's too hot, resulting in time-consuming retakes or total disaster if the audio is from a live event. The Declip feature in iZotope RX3 can reduce that disaster to a quick and easy fix.
Review: Blackmagic Design Audio Monitor
by
Anthony Burokas
| Audio is half of all the "AV" we work with, so after getting some great LCD screens, adding some good speakers should be the requisite next step. How does the Blackmagic Design Audio Monitor stack up for providing good sound reproduction?
How to Light, Frame, and Shoot Online Video
by
Stjepan Alaupovic
| While some of the time-tested principles of traditional video production still apply, online video is really a world of its own; here we look at key elements of online video production that distinguish it from producing for other media, including composition, lighting, and more.
Choosing Cameras and Lighting for Single-Speaker Webinars
by
Jan Ozer
| Are pro video cameras overkill for single-speaker webinars? What's the best type of camera these ever-more popular productions, and what kind and how much lighting do you need to pull them off? We set up some common scenarios, ran some tests, and here's what we found out.
Stageit Delivers 15 Live-Performance Streams a Day to Connect Artists With Their Fans
by
Dusty Black
| Stageit is a web-based platform created for artists by artists that empowers more than 25,000 acts to deliver and monetize interactive live experiences directly from their laptop
Tutorial: Fixing Muffled Audio with Audio Compression
by
Jan Ozer
| This video tutorial demonstrates how to restore muffled sections of spoken audio using the Multiband Compressor in Adobe Premiere Pro CC or Adobe Audition.
Review: G-Tech G-Dock ev with Thunderbolt
by
Tim Siglin
| Dockable drives double as desktop and pocket storage: That's the value proposition of this 2TB, $750 RAID system.
Feeding the Beast, Part 2: Production Workflow
by
David Chung
| The next key element of feeding the beast and maintaining high-volume video output is workflow; the choices that you make for your workflow are important for everything that you do, from studio space to production, post, syndication, and archiving.
Review: HP Z27i 27-inch IPS Display
by
Tim Siglin
| HP's new, lightweight, full-powered 27-inch monitor fits into several workflows with its adjustable, detachable base and varied connectivity options.
Feeding the Beast: Producing Serial Content Effectively, Part 1: Generating Content
by
David Chung
| Video publishers often struggle to keep up with the demands of viewers expect fresh content on a daily basis, and advertisers who want lots of inventory. This article explains how a two-person production crew generates 800-1,000 new videos per year for a leading site for investors.
Video Tutorial: New Features in Adobe Media Encoder CC
by
Jan Ozer
| This video tutorial demonstrates how to use and leverage 3 key new features in Adobe Media Encoder CC: Lumetri Looks support, and image, text, and timecode overlay.
Meet the SMPLive Presenter: Anthony Burokas of IEBA Communications--Updated with complete session video from Streaming Media Producer Live!
by
Anthony Burokas
| IEBA Communications' Anthony Burokas offers a sneak preview of his two Streaming Media Producer Live sessions, "Choosing Lenses for Online Video Production" and "Choosing a Video Switcher."
... More Featured Articles
Streaming Media Web Events
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Streaming the Olympics: A case study in moving media processing to the cloud
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Best practices for designing multi-device video experiences
February 27:
Mastering Multi-format Video Publishing with Limelight Orchestrate Video
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How to Brand Your Online Videos
Apple FCP X and Compressor vs. Adobe CC, Part 1: Timeline-to-Transcode Workflows
Digital Rapids and Vidtek Integrate Transcode Manager 2 with Vidchecker QC Software
Tutorial: Fixing Clipped Audio with iZotope RX3
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FxFactory Unveils Horizon Fixer CineFlare Plug-in
K-Tek Intros Boom Pole Kit Case
Canon Firmware Upgrades for Cinema EOS and XF Pro Camcorder Line
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