Tate Britain, London

The Hayward Gallery’s What Is the Point of It? is the first major retrospective of the Turner Prize-winning minimalist. His quirky works can be both entertaining and exasperating, but they’re always full of surprises, discovers Adrian Hamilton

Royal Academy, London

Hannah Höch was a pioneer in Berlin's Dadaist movement of the 1920s. As a feminist and lesbian, she was later to clash with the Nazis, but her work remained joyful, as Adrian Hamilton discovers at a long-overdue retrospective

Georgia O’Keefe meets the body-preserving anatomist Gunther Von Hagens

What is it? A retrospective of the work of Jake and Dinos Chapman.

HQ, London: While female artists a few years ago cynically used feminist imagery but rejected the label, this exhibition is committed

A recurring motif in his films, Lynch first started photographing abandonned factories in the early 1980s

The Saatchi Gallery's new exhibition shows that figurative art is alive and kicking, especially in America. But the artists' vast canvases and impressive use of colour can't disguise their lack of graphic skills, says Adrian Hamilton

Waddesdon Manor, Buckinghamshire

Bob Dylan's new iron sculpture exhibition is lacking dynamism, but the musician proves himself to be a talented polymath rather than a hobbyist

The UK's first major exhibition of Chinese paintings since 1935 reveals that far from being monolithic, the art of the country is highly individualistic, propelled by artists with their own distinctive styles

The title of this exhibition refers not to a theme of blood-thirsty conceptualism, but the intimate, delicate nature of the artworks included. Art is indeed a painful process, involving much inner probing.

French-born New Yorker Louise Bourgeois (1911-2010) is perhaps the greatest female artist of the 20th century. She is also one of the greatest artists full-stop, but her work is powerful because it expresses the hunger and ferociousness of a particularly female kind of experience.

The male nudes in the Wallace Collection’s new exhibition display  a painstaking proficiency, but they’re unlikely to arouse much passion, says Adrian Hamilton