Streaming Media Magazine:
April/May 2013
by Eric Schumacher-Rasmussen | The video industry has learned from the music industry's disastrous example, and created fair rights management systems.
by Jan Ozer | Notre Dame made an undefeated season even stronger with the addition of Telestream Vantage Transcode Pro and other workflow improvements.
by James Careless | Live streaming an event of biblical proportions -- Passion 2013, a four-day Christian conference and concert -- took massive preparation.
by Troy Dreier | After years of hard work, the Fine Brothers have built a huge following. Now, they're helping young talent navigate the business of online video.
by Eric Schumacher-Rasmussen | It's time once again to celebrate the people who made our industry great in the past year and continue to drive innovation. Presenting ten new inductees to that elite group, the Streaming Media All-Stars!
by James Careless | 2013 looks to be a strong year in online video advertising, with interactivity and targeting as the keys to success. But be careful, because one size does not fit all.
by Jan Ozer | Everyone agrees that HEVC is the codec of the future, but an unclear royalty picture and a paucity of compatible devices means widespread adoption is a long way off.
by Jose Castillo | Are companion apps the wave of the future or a passing fad? Here are the best tablet and smartphone apps for staying engaged while watching TV.
by Jan Ozer | It's a valuable addition to the Vantage Workflow family, but is Transcode Multiscreen the fastest encoder around? Read our detailed test results.
by Tim Siglin | Can 2K and 4K TVs generate the excitement that 3DTVs lacked? Manufacturers hope so. Here's what it will take.
by Jose Castillo | Brands such as Trident Gum, Taco Bell, and Rolling Stone are embracing Vine, which does for video what Twitter did for blogging.
by Jan Ozer | The problem MPEG-DASH solves isn't that big a deal, and it's not going to make anyone's life simpler in the short term.