Rated 5/5
This is the first book in a series featuring Boston Private Investigators Patrick Kenzie and Angela Gennaro; the film
Gone Baby Gone is based on a later entry in the series. It's also the first book by Lehane I've ever read, and certainly won't be the last. First thing I noticed, then forgot to notice as I was sucked in, is that Lehane has a beautiful prose style, not what you usually see in genre fiction. Told by Kenzie in an engaging voice, the characterizations pop off the page and feel real, as does the depiction of Boston. I read in the Wiki that "The
New York Times described the book as somewhat cliched but praised the honest approach to racial and class warfare. They also felt that the seriousness of the novel's themes made a jarring contrast with the flippancy of the detective characters." Cliched? Some elements sure were predictable and far-fetched on reflection. But it didn't feel like that to me when reading, maybe because I was so taken with the sense of place and style. I do think the reviewer is right about it being honest about the complexity, intractability and ugliness tangled in the issues of race and class, even if at times heavy-handed. And precisely because of that I think the reviewer missed the point about the so-called flippancy. The Wiki also notes that the title, spoken by a cop to Kenzie and Gennaro before the outbreak of a gang war comes from a BBC comedy series. I don't think the humor undercuts the seriousness--I think it underlines it
and makes it bearable--for the characters and reader both. What will bring me to the next book though are Kenzie and Gennaro. I like them, flippancy and all, separately and together. The romance element was well done without feeling intrusive to the overall plot.