Rated 5/5
"The thing's hollow--it goes on forever--and--oh my God!--it's full of stars!" - Astronaut David Bowman's final message to Earth.Arthur C. Clarke's "2001: A Space Odyssey" is an epoch-spanning imagining of humankind's first contact with alien life. Most people know the core story from Stanley Kubrick’s film of the same title. What's less known is that the book and screenplay were produced in parallel; Clarke and Kubrick working closely together on both. This edition of the book includes a foreword by Clarke, which provides insights into the story's production. He describes an early conversation with the great director, where Kubrick tells him, "What I want is a theme of mythic grandeur." Clarke certainly delivered. The story revolves around a monolithic stone-like entity that simply appears on earth 3 million years before modern times. The obelisk explores the mental and physical "skills" of individual man-apes, identifying which have the capacity to carry forth their subtly enhanced genetics. And while the movie is known for it's groundbreaking cinematography and special effects, in equal parts with its story-telling vagaries, Clarke's exposition-strong style draws a clear picture of how this alien-borne object was built to experiment, prod and alter the life forms it finds. Not wholly through the serendipity of natural selection, but through delicate alien modifications, do these man-apes take the first tentative steps down their evolutionary paths. The alien interference is subtle; it provides sort of an evolutionary jump-start and then disappears as suddenly as it appeared. Clarke writes, "…the man-apes had been given their first chance. There would be no second one; the future was, very literally, in their own hands."One of the first gifts of enlightenment explored by the man-apes is the use of tools, and the actualization that they can be used to defend…and kill. A clear theme throughout, Clarke writes on the impact of the human propensity towards violence. Using the monolith's suggestion for the man-ape's adoption of tools as the starting point, Clarke writes that the physical and mental abilities to lay waste to nature and man, up close and at a distance, has defined human evolution -- from the first Promethean spark of consciousness through his fictional 2001 and beyond.The novel jumps to the late 20th century. Man has uncovered a monolith buried deep below the surface of the moon. Once the 3 million year old object absorbs the first rays of the sun, a burst of energy explodes towards space. After millions of years of solitude, humankind inadvertently pulls the trigger on its next major evolutionary leap. The burst of energy blows through the solar system targeted at a small moon orbiting Saturn.Contextually, this story was written during the dawn of the space age. Russian satellites had orbited the earth and Kennedy had rallied America behind its own goals to put a man on the moon. Science and technology were at the forefront of culture. Consideration of the possibility of alien life was a natural outcome of this collective thought. Clarke explores one of the most common themes in science fiction, that of 'First Contact': "The political and social implications were immense; every person of real intelligence--everyone who looked an inch beyond his nose--would find his life, his values, his philosophy, subtly changed. Even if nothing whatsoever was discovered about (the monolith), and it remained an eternal mystery, Man would know that he was not unique in the universe. All futures must now contain this possibility."The final third of the story follows astronaut David Bowman aboard a spaceship powering towards the destination of the moon-monolith's energy burst. The memorable HAL-9000 accompanies Bowman on his journey and despite the supercomputer-character's renown, fills only a relatively brief portion of the book. HAL represents a step on the continuum of humankind's evolutionary ascent. It represents the convergence of man and machine. As man developed machines to enhance his existence, he took a step further by transferring human consciousness to machine, which, to dire results, includes all of man's neuroses and psychoses.I thoroughly enjoyed the slow build to human-like sentience of HAL. Following its very purposeful deceptions and murder, HAL says to Bowman rather innocently, "is your confidence in me fully restored? You know that I have the greatest possible enthusiasm for this mission."Clarke's novel evokes the very familiar pacing and mood of Kubrick's film. The details are rich, the exposition extensive and all encompassing. The book finishes with a much more satisfying conclusion than the movie. Clarke actually provides an explanation for the sequences of Bowman's final interactions with the alien intelligence, and his own fate. His conclusion satisfies years of frustrated confusion with Kubrick's final scenes.