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  • Music

    Chris Brown in LA

    Chris Brown: 'It was the biggest wake-up call'

    Interview: He was a teen superstar, the unassailable crown prince of R&B – until he assaulted his girlfriend Rihanna. Chris Brown talks to Decca Aitkenhead about 'that incident', his year in anger management and why he's got a lot more music (and money) to make
  • Books

    Jim Broadbent and Lindsay Duncan in Le Week-End, written by Hanif Kureishi

    Hanif Kureishi: in praise of adultery

    Feature: Nick and Meg go to Paris to celebrate their 30th anniversary only to confront some uncomfortable questions. In his new film, Le Week-End, Hanif Kureishi meditates on the age-old problem of marriage and desire

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  • What you're saying: music front
    I disliked his politics, but loved a great many of his books. Jack Ryan is a classic character, even if the plotlines became increasingly convoluted over the years. RIP.
    holdingonfortomorrow
    commenting on Author Tom Clancy dies at age 66

Latest from our blogs

Latest reviews

  • Dance 9hr 21min ago

    Dance Umbrella: Vertiges – review

    2 out of 5
    The violinist Malcolm Goldstein and dancer-choreographer Paul-André Fortier
    4 Oct 2013:

    Vertiges has a fascinating premise but is too forbiddingly abstract to sustain an hour-long performance, says Judith Mackrell

  • Classical music 9hr 30min ago

    Orchestra Mozart/Haitink/Matheuz – review

    4 out of 5
    Bernard Haitink
    4 Oct 2013:

    Claudio Abbado and Martha Argerich bowed out to doughty substitutes Bernard Haitink and Maria João Pires who, with Diego Matheuz, provided two very fine evenings, writes Martin Kettle

  • Opera 11hr 15min ago

    The Wasp Factory – review

    4 out of 5
    Wasp Factory
    4 Oct 2013:

    The opera of Iain Banks's surreal thriller has the power to fascinate and disturb, writes George Hall

  • Theatre 11hr 34min ago

    Ghosts – review

    4 out of 5
    Ghosts by Ibsen at the Almeida theatre
    4 Oct 2013:

    Richard Eyre's first-rate revival of Ibsen's play grabs you by the throat and never releases its grip, writes Michael Billington

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