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I enjoyed this the first time but on the second, I really appreciated
this film and am very glad it won the awards it did. What superb
acting, direction and cinematography. What an interesting - and
different - story.
I know Colin Firth won the "Best Actor" Oscar but I just loved Geoffrey
Rush in here as the speech therapist, "Lionel Logue." He was riveting,
throughout the movie (not that Firth wasn't great as King George VI).
Helen Bonham-Carter was very good, too, in an understated role as the
king's wife, the famous Queen Elizabeth.
Kudos to Director Tom Hooper and Director Of Photography Danny Cohen.
They made the picture just stunning to view.
Don't let the storyline fool you. Yes, it's about a king who had a
stuttering problem and the man who helped him. Sounds boring, but it
isn't. It's well worth your time.
Sequels are supposed to get weaker and weaker but I have found just the
opposite with Men In Black. I think they've gotten better with each
film.....at least, entertainment-wise. MIB3 is simply the funniest of
the lot and has a nice little unexpected sentimental ending.
Good stuff.
If you simply want a fun 100-or-so minutes of escapism with a bunch of
laughs and outrageous scenes, this movie will deliver that.
A highlight to me was the performance of Josh Brolin, playing a young
"Agent K." Man, did he have Tommy Lee Jones' character down pat -
voice, inflection, mannerisms.....just incredible. Kudos to Brolin.
Yes, the movie is over 75 years old and dated....but the story is
excellent and powerful..... and one that anyone can enjoy in any era.
"If it's good in the past, it's still good," as Sly & The Family Stone
commented at 1969's famous Woodstock concert.
To me, the biggest attraction of the film is the involving story. From
early on, you really care about "Marcus" (Preston Foster) and then his
adopted son "Flavius" (DavidHolt/John Wood). Foster is good in his lead
role and very convincing as the hard-luck and bitter man who turns into
a gladiator and then rich entrepreneur, so to speak. As hard a man as
he is, he has a really soft spot for his family and will do anything
for them (either wife or kids, depending on where you are in the
story.)
All the characters are interesting. The only one who was a little
bizarre to me was Basil Rathbone's "Pontius Pilate." I've never seen
Pilate portrayed in such a sympathetic, friendly light as he was here,
as Marcus's boss and then friend. Now Pilate may not have been the
totally evil man many people perceive him to be, but he's no "good
guy," that's for sure, and yet he was portrayed as such.
Regardless, the film is a good one with a dramatic ending and good
special-effects for the mid 1930s. The most important "special effect,"
though, was not the eruption of Mount Vesuvius but the transformation
of "Marcus's' hard heart. This was truly a man who "saw the light" near
the end of his life, thanks to one Man.
*** This review may contain spoilers ***
Well, if you liked the original Taken, and if it is suspense and action
you crave, look no further than this sequel. You should wind up very
pleased.
Liam Neeson plays the same role in a similar scenario. Instead of going
to France to rescue his daughter "Bryan Mills" now is in Turkey on
business and winds up attempting to rescue his ex-wife and keep his
daughter safe at the same time. They joined him for a little R&R after
things got tense at home. They were in for a surprise. The Romanian
family of all the people "Mills" killed in the first film are out for
revenge.They have waited six years and when they hear that Mills is in
nearby Istanbul, they go after he and his family.
The length of this movie just about right, An hour-and-a-half - with
the last hour almost non-stop action, is fine. Any more than that would
have been too much. It would have been overkill, you could say.
Actually, it's overkill already. This is escapist fare with little
credibility (Neeson kills an unknown slew of foes while none shoots
him, his daughter changes quickly from someone who can't pass her
driving exam to a professional stunt car driver in unfamiliar and
crowded streets, etc.).
Nonetheless, it's fun to watch and the 90 minutes go by fast.
Saving Natasha, But Not The Season, 4 January 2013
*** This review may contain spoilers ***
I'm so sorry this begins the final year of this entertaining program.
As always, this opening episode deals with the story that ended the
previous year. In this case, Natalie is locked in a car's trunk while
the car speeds off a pier into the ocean. Nearby Horatio has been shot
in the chest/abdomen area and is lying on the pier.
Of course, everyone knows our heroes aren't going to die, so the
question is how they survived and how they capture the people
responsible. In this story, there are two guys to go after.
In real life, there is no way "H" could do the things he does despite a
serious injury, but - hey - it's all make-believe solely for dramatic
purposes....and it's fun to watch.
I remember years ago when I first heard the word "gratuitous ." it was
pertaining to movies having "gratuitous sex or violence." Well,
folks....this is one of those gratuitous violence movies. I can't
recall a film in which the good guy killed more people per minute of
screen time than Jason Statham's character in "Safe." I mean, it's
unbelievable!
That, some corny and stupid dialog and no likable characters all should
have added up to a lousy movie experience....yet, I still found it
entertaining. Go figure. Maybe it's some of the stylish shots or the
fact that Statham - no matter how crude - always seems to play a
character that's fun to watch. The story wasn't bad, either: a
stone-cold killer with a soft heart for a wayward kid.
If you are in a hostile mood and want a movie to get lost in, to unload
some anger, Statham and this movie is your ticket!
It's safe to say music legend Les Paul, if he was alive to hear this
concert, would be driven to tears. It is an absolutely wonderful and
superb tribute to the man who "invented the electric guitar." Also, he
and Mary Ford combined for some ground-breaking vocals back in the
1950s.
Today's guitarists, particularly the British, seem to revere the
American pioneers in guitar and blues and what better guitarist to pay
tribute than Jeff Beck. Also, as it turns out, what better singer to
honor Mary Ford than Imelda May? Imelda practically steals the show
here with some incredible vocals and great theatrical presence. Her
husband, rockabilly man Darrel Higham, also contributes in this concert
with stuff that would make the '50s boppers proud. Beck, a big fan of
Gene Vincent, pays homage to him, too, starting with his blue cap and
pants!
So, if you want an evening of great instrumentation, vocals and a fun
mix of re-done oldies, this is a fantastic DVD to own.
3 out of 4 people found the following review useful:
Well, this film is a nice twist on what we've seen in film the past few
decades: the atheists vs. the Christians (in this case, Catholic) and
the atheists lose! It was based on on a real-life event in Mexico: the
Cristeros War from 1926-29.
What else stuck out was the excellent cinematography, production values
and the acting and role that Andy Garcia played as "Enrique Gorosteita
Velarde." Garcia gets fifth billing here on the IMDb home page but make
no mistake: he is the star of this film. His slow transformation from
non-believer to believer is interesting to watch.
Although it may have a "religious" theme and no nudity or profanity
that I can recall, there is a lot of rough violence in this film.
Hence, the "R" rating.....yet I couldn't help but feel this movie still
had a lot of family appeal. Being a pro-Catholic film, it didn't get
much publicity or fair reviews from mainline critics. No surprise
there.
For those not sure about this film, I have no hesitation in
recommending it. As mentioned, it has very high production values (see
it on Blu-Ray, if you can), the story moves along well and the acting
is just fine. It's a good story and and almost an old-fashioned type of
movie epic.
*** This review may contain spoilers ***
There were some things that made this surpass the 1960 original and
other things I could have done without.
I might as well get the ** Big Spoiler ** out of the way first: in this
new Blu-Ray Director's Cut, the two main characters also get eaten by
the plant! Yeah, "Audey Jr." is one mean motha, and the film does not
have a happy ending. Screening audiences did not like that, so it was
cut from the theatrical release.
Anyway, the plant was spectacular and the lyrics to his songs had me
laughing out loud several times. They were hilarious. The main actors
did a pretty good job of imitating the 1960 actors. Moranis was very
much like his counterpart. Ellen Greene's main contribution was her
cleavage, although she was good as the ditsy-voiced "Audrey,"
The music was decent, but nothing spectacular outside of the plant. i
didn't see the point of having the three women singing in a number of
early scenes.
Steve Martin's cameo as the sadistic dentist/boyfriend was memorable,
both good and bad. His gestures of a 1950s James Dean-type were
excellent but his potty-mouth was overdone.
This is the kind of film that looks like it would be fun for the
kiddies, but it is not. It's a pretty hard-edged violent movie for a
comedy/musical....but adults will get plenty of laughs. The BD boasts a
good transfer and surround sound.
The Fan, 31 October 2012
Chinatown is the setting for this Peter Gunn episode, which really
starts off with a dramatic opening. It's one of the more interesting
ones I've seen.
Pete has to figure out why someone is so desperate to get their hands
on a "fan," the kind used by Chinese dancers.
The interesting characters are led by Vic Perrin's "Silent Sy," a
deaf-mute who has a crush on the fan dancer.
The only main character who isn't portrayed by an Asian actor is "Chang
Li-Chang," an old man played by Richard Hale. With a good DVD transfer,
Hale's makeup is pretty obvious. Otherwise, it is a credible and
interesting story with some neat twists.
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