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Editors' Choice

The AMG editors select the best of the new releases. Browse back as far as 2004.

    • This mysterious New York rapper/producer/sound wizard builds a world too strange to ignore on his proper full-length debut.
      ~ Fred Thomas

    • More about sounds than songs, the first Atoms for Peace full-length sounds like a fleshier sequel to Thom Yorke's first solo album.
      ~ Andy Kellman

    • Paradoxically, Anxiety's bold sonics and vulnerability make it some of Autre Ne Veut's most confident-sounding music.
      ~ Heather Phares

    • Adding live drums and studio production to their already excellent songs, Beach Fossils' second album sounds energized and alive.
      ~ Tim Sendra

    • House music gets warm and fuzzy on the producer's 2013 effort, but it remains funky and pleasingly deep.
      ~ David Jeffries

    • This Portland, Oregon noise pop band's third record is also its most colorful, introspective, and well conceived to date.
      ~ Fred Thomas

    • With the singer backed by her live band, the reigning queen of socially conscious reggae continues to innovate and empower on her excellent third album.
      ~ David Jeffries

    • This U.K. indie act walks the tightrope between incredibly heavy lyrics and perfect pop songs on a collection of early singles.
      ~ Fred Thomas

    • On his first Blue Note date in 43 years, Wayne Shorter leads his stellar group in a startling live program filled with kinetic interplay.
      ~ Thom Jurek

    • Spectral Park's self-titled debut is a psychedelic onslaught that's worth the risk of sensory overload.
      ~ Heather Phares

    • Chris Stamey's Lovesick Blues is a hazy, sweetly melancholy album designed for lonely late-night listening.
      ~ Stephen Thomas Erlewine

    • II builds on the bedroom recording excitement of soloist Ruban Nielson's debut with the addition of a bassist and drummer.
      ~ Jason Lymangrover

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