COOLPIX S9050 from Nikon

Learn & Explore Tip of the Day

December 29, 2012

Use fill flash to add a little sparkle to your subject’s eyes when shooting portraits outdoors, during the day. Even in bright sunlight, fill flash can even out the lighting for a more pleasing photograph.

December 28, 2012

Look around when you’re out photographing. Not every great photographic subject will be right in front of you.

December 27, 2012

When shooting landscapes at dusk or nighttime, use a tripod and cable release or self-timer so you can slow down the shutter speed to let in more light. This is the technique used when you see pictures of car lights as lines, not pinpoints.

December 26, 2012

If possible, try to place your subject on an angle to the light. When light is more directed, causing highlights and shadows, your images will look more dramatic than if flat lighting is used.

December 25, 2012

When taking pictures of a big group, try to have everyone lined up perpendicular to the camera. Otherwise those closest to the lens may be out of focus or slightly distorted.

December 24, 2012

If you normally use one lens for everyday shooting, leaving your others at home, plan a day to use only your second lens. It may force you to look at your subjects with a new perspective and could lead to wonderful images.

December 23, 2012

When taking pictures of a child blowing out the candles on a birthday cake, get onto their level, instead of shooting downwards from a standing position, for a different viewpoint.

December 22, 2012

At your next family get together, designate one of the kids as photographer for the day. You might just be surprised at the unique viewpoint the images have. And remember, you can always delete any bad shots.

December 21, 2012

Celebrate the first day of winter by taking photos of outdoors, even if there’s no snow on the ground. Bare tree branches make great subjects.

December 20, 2012

Having someone assist you when photographing kids is helpful. This way you can stay with the camera while your helper runs after the kids and gets them back onto the “set”.

December 19, 2012

Before you travel to a new vacation spot, do some research on the photo opportunities of the area. Many large cities, states and countries have their own websites with lists of interesting places to see, events that occur and more.

December 18, 2012

You can make great pictures of falling snow. For moody photos of a snowfall, set your camera to B&W;/monochrome for a unique perspective.

December 17, 2012

When taking photos of the animals at the zoo, by zooming in and focusing on the animal in the cage, the bars will blur and become almost invisible.

December 16, 2012

With digital you can change white balance on the fly, but when there are multiple light sources it’s hard to pick which one is the right setting. Take a few pictures with each one set at a different white balance setting and see which one looks the best.

December 15, 2012

A small light source produces a very hard, harsh light, while a large light source provides a softer light. To make a small light appear softer, bounce it off one or more objects before it hits the subject (ceilings, walls, pieces of cloth—anything will work). Just remember that a non-white ceiling or wall will reflect that color light onto your subject.

December 14, 2012

Many people who shoot sunsets leave as soon as that glowing orb dips below the horizon, but some of the best photo opportunities present themselves after the sun goes down. The sky can turn beautiful shades of blue and red, and clouds in the sky may light up and glow. Also, if it’s cloudy, the clouds sometimes part before the sun completely sets, and the rays of sunlight will illuminate the clouds from behind, making for great photographs.

December 13, 2012

Use your camera’s scene settings to help teach yourself the basics instead of just setting the dial to “Automatic.” Watch the aperture and shutter speed settings, and check out what ISO the camera sets. Then try to figure out the correct exposure on your own. It’s like having an instructor show you the basics.

December 12, 2012

Photograph all the belongings in your house. It’s important for your homeowner or renter’s insurance to have a record of the items you own. It will also let you practice taking “product” shots.

December 11, 2012

Find a photography club or group and sharpen your skills. Many community colleges have gatherings of photographers, or check Meetup.com to find a group nearby. You could also join an online photography community such as Flickr to get feedback and critiques of your photography.

December 10, 2012

Take a photo of a subject every day. Watch as it changes with the changing light and seasons. Or try to take a photo that looks different from every other photo you’ve taken of that subject.

December 9, 2012

Look for the bits of lines and objects that poke out of the snow after a good storm. See if you can find unusual patterns or shapes in the grass, bushes, playground equipment or leaves. If the sun is out, watch for the interesting shadows these objects can create. This sort of scene can make for some fun close-ups.

December 8, 2012

Don’t blow snow off a camera lens. Use a small brush or a bulb blower. The moisture in your breath might melt the snowflakes or even form frozen condensation on the lens. You could make a bad situation worse.

December 7, 2012

Pick an object that you like and take a picture every time you see a similar object. It could be spider webs, interesting doorknobs, or manhole covers. Often these self-assignments can turn into lifelong projects.

December 6, 2012

Always take along an extra battery (or batteries) when you go out in the cold to shoot. Keep the battery inside your jacket, close to your body for warmth. If the first battery dies, replace it with the warm one and put the cold one inside your jacket to warm up. Nothing ruins a great shot more than a dead camera.

December 5, 2012

Different light sources have different color “temperatures” so photos taken under different kinds of lights (tungsten, fluorescent, halogen, sodium vapor, etc.) look different. You can use this in your photos to create an interesting lighting effect by setting your camera’s white balance to something besides auto. Experiment while using different light sources to get different results.

December 4, 2012

At a wedding, watch what the photographer is doing and pick something different to shoot. If the photographer is shooting the cake cutting, take pictures of the band. If the photographer is shooting the bouquet toss with a wide-angle lens from behind the bride, use a telephoto to capture people trying to catch the flowers. You’ll capture a part of the wedding that wouldn’t have been documented otherwise.

December 3, 2012

The contrast between motion and a still object can be fascinating. Find a bird in the snowstorm and shoot with a slower shutter speed. The snow flying around the bird will blur, but the bird will stay sharp perched on the branch. Use a tripod, brace yourself against something or have VR (Vibration Reduction) turned on to help you keep steady.

December 2, 2012

Look for emotion. Watch the bench, especially at critical moments. Capturing the jubilation or dejection of the coach and the players on the sideline during a penalty kick or last minute shot can produce the best sports pictures.

December 1, 2012

When shooting groups of five or more people, make sure you stagger them. Put tall folks in the back and the shortest ones in front. It may seem simple, but blocking out just one face can ruin a group portrait. Always tell them, “If you don’t have a clear view of me, the camera can’t see you.”

November 30, 2012

Don’t clean off your lens with a napkin or a T-shirt—they only spread the dirt on your lens and can scratch the glass. Instead carry a lens-cleaning cloth (you can get one at a photo store) and use that to get your optics streak-free. Be sure to blow off any dust or grit first, so you don’t grind it into the lens; but use a blower brush, not canned air because it can damage the lens.

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Big Zoom, compact design

A 15.5x zoom will bring your faraway subjects up close when taking stills or videos. Compact and powerful, the COOLPIX S9050 features a 12.1-megapixel sensor so even those tough low light shots are a snap. Full HD (1080p) videos are just a touch of a button away.

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$259.95

Product Number: 26355

Authorized Dealers

Supplied Accessories

Packs a big zoom in a small design

product photo of the COOLPIX S9050 front and back with a photo of two kids sliding down a snowy hill on sleds in the LCD

The COOLPIX S9050 combines an impressive 15.5x wide-angle optical Zoom-NIKKOR glass lens and a 12.1-megapixel CMOS sensor for great photos and videos—even in low light. With extensive filter options and special effects, your images can take on a new creative look. Capture a fleeting moment with fast framing rates and Full HD (1080p) movie recording. Weighing in at just 7.6 ounces, you’ll take the S9050 everywhere.

12.1

Megapixel CMOS Sensor

15.5x

Wide-Angle Optical Zoom-NIKKOR lens

3.0" LCD

460,000-dot LCD Monitor

Full HD

1080p Video with Stereo Sound

photo of two blonde women on a staircase and an inset photo of a closeup of the two women

Get closer!

15.5x wide-angle optical Zoom-NIKKOR lens

Capture shots from end zones to distant vistas with the S9050’s 15.5x zoom range that covers from wide-angle (25mm) to telephoto (388mm). The S9050’s remarkable Zoom-NIKKOR glass lens renders sharp, clear images. Plus, S9050’s built-in VR image stabilization system minimizes the effects of camera shake for incredible images and videos.

photo of two women lit by flash with a night cityscape in the background

Nighttime is the right time

12.1MP CMOS image sensor

Life is a party after the sun sets, and great pictures are made with ease. With the S9050's amazing 12.1-megapixel CMOS sensor, you can capture all the night's action with low noise for better images and videos. For incredible landscape shots at night use the Night Landscape Mode; the S9050 will take a series of images and automatically combine them in the camera for an amazing shot.

photo of two kids sliding down a snowy hill on sleds and the Full HD video icon

Lights! Camera! Action!

Full HD (1080p) videos with stereo sound

The S9050 also excels as a movie camera. Simply press the easily accessible record button and start recording. Even record slow- and fast-motion movies for creative and entertaining moments. Sound is automatically recorded in stereo and the HDMI port enables easy hook up to an HDTV.

photo of the rear LCD of the S9050 with a photo of grasses and trees with a blue sky and clouds

Clear image preview

Sharp 460,000-dot LCD monitor

Get a clear view of the action with the S9050’s high-resolution monitor. A large 3-inch display with wide viewing angles, anti-reflective coating and brightness adjustment gives you a clear look of the world. 460,000 dots provide a sharp, clear display in both image and movie capture and playback.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

LCD, Video and Photo Gallery images are for illustrative purposes only.

Specifications

Type

Compact Digital Camera
Effective Pixels

12.1 million
Image Sensor

CMOS
Sensor Size

1/2.3 in.
Total Pixels

12.75 million (approx.)
Lens

15.5x optical Zoom-NIKKOR ED glass lens
Lens Focal Length

4.5-69.8mm (angle of view equivalent to that of 25-388mm lens in 35mm [135] format)
Lens f/-number

f/3.5-5.5
Lens Construction

12 elelments in 11 groups
Lens Zoom

15.5x
Digital Zoom

Up to 4x (angle of view equivalent to that of approx. 1,550mm lens in 35mm [135] format)
Vibration Reduction

Image-sensor shift
Autofocus (AF)

Contrast-detect TTL AF
Autofocus (AF) Focus-area selection

Auto (9-area automatic selection)
Center
Face priority
Manual with 99 focus areas
Subject tracking
Focus Range

Approx. 1 ft. 8 in. (50 cm.) to infinity
[T]: Approx. 5 ft. (1.5 m.) to infinity
Macro close-up mode: Approx. 1.6 in. (4 cm.) to infinity
Focus Lock

Yes
Maximum Autofocus Areas/Points

9
Monitor Size

3.0 in. diagonal
Monitor Type

TFT-LCD with Anti-reflection coating
5-level brightness adjustment
Monitor Resolution

460,000-dots
Monitor Frame coverage (shooting mode)

97% horizontal (Approx.)
97% vertical (Approx.)
Monitor Frame coverage (playback mode)

100% horizontal (Approx.)
Storage Media

SD memory card
SDHC memory card
SDXC memory card
Internal Memory

Approx. 74MB
Storage File System

DCF
EXIF 2.3
DPOF compliant
Storage File formats

Still pictures: JPEG
Audio files: WAV
Movies: MOV (Video: MPEG-4 AVC/H.264, Audio: AAC stereo)
Movie

Audio file format: AAC stereo
Full HD: 1920x1080p / 30fps
HD: 1280x720p / 30fps
Movie file format: MPEG-4 AVC H.264
Standard TV: 640x480 / 30fps
Voice Memo Function

Yes
Image Size (pixels)

4000 x 3000 (12M)
ISO Sensitivity

ISO 160-800
ISO 1600, 3200 (available when using Auto mode)
Lowest ISO Sensitivity

160
Highest ISO Sensitivity

3200
Exposure Metering

256-segment matrix, center-weighted
Exposure Control

Programmed auto exposure
Exposure compensation (-2.0 to +2.0 EV in steps of 1/3 EV)
Exposure Modes

Programmed Auto
Scene Modes

Back Light
Beach
Black and White Copy
Close Up
Copy
Dusk/Dawn
Easy Panorama
Fireworks Show
Food
Landscape
Museum
Night Landscape
Night Portrait
Party/Indoor
Pet Portrait
Portrait
Snow
Sports
Sunset
In-Camera Image Editing

Crop
D-Lighting
Filter Effects
Quick retouch
Rotate image
Skin softening
Small Picture
Exposure Compensation

± 2 EV in steps of 1/3
Exposure Lock

Yes
Exposure Bracketing

Yes
White Balance

Auto
Cloudy
Daylight
Flash
Fluorescent
Incandescent
Preset Manual
Shutter

Mechanical and CMOS electronic shutter
Shutter Speed

1/2000-1 sec. (when ISO sensitivity set to Auto)
4 sec. (when scene mode is set to Fireworks show)
Top Continuous Shooting Speed at full resolution

Up to 5 shots at approx. 9.5 frames per second
Continuous Shooting Options

Best Shot Selector
Continuous H
Continuous H 60
Continuous H 120
Continuous L
Multi-shot 16
Pre-shooting cache
Aperture

Electronically controlled ND filter (-2.0 AV) insertion
Self-timer

Can be selected from 10 and 2 seconds duration
Built-in flash Range (approx.) (ISO sensitivity: Auto)

[W]: 0.5 to 4.0m (1ft. 8in. to 13ft.)
[T]: 1.5 to 2.6m (5 ft. to 8 ft. 6 in.)
Built-in Flash Control

TTL auto flash with monitor preflashes
Built-in Flash

Yes
Interface

Hi-speed USB
Interface Data transfer protocol

MTP
PTP
Video Output

NTSC
PAL
HDMI Output

Can be selected from:
Auto
480p
720p
1080i
I/O terminal

Audio/video (A/V) output
Digital I/O (USB)
HDMI Mini Connector (HDMI output)
Supported Languages

Arabic
Chinese (Simplified and Traditional)
Czech
Danish
Dutch
English
Finnish
French
German
Greek
Hungarian
Indonesian
Italian
Japanese
Korean
Norwegian
Polish
Portugese
Romanian
Russian
Spanish
Swedish
Thai
Turkish
Ukranian
Power Sources

One Rechargeable Li-ion Battery EN-EL12 (supplied)
Charging Time

3 hours and 50 minutes (when using Charging AC Adapter EH-69P) (Approx.)
Battery / Batteries

Rechargeable Li-ion Battery EN-EL12
Battery Life (shots per charge)

Still pictures*: Approx. 280 shots*Based on Camera and Imaging Products Association (CIPA) standards for measuring the life of camera batteries. Measured at 23(-/+2)°C (73(-/+4)°F); zoom adjusted with each shot, flash fired with every other shot, image quality set to Normal, image size set to 4000 x 3000 (12M). Battery life may vary depending on shooting interval and length of time menus and images are displayed.
Tripod Socket

¼ in.
Approx. Dimensions

Height: 2.5in. (62.0mm)
Width: 4.2in. (104.8mm)
Depth: 1.4in. (34.6mm)
Excluding projections. Method of noting dimensions and weight is in accordance with CIPA DCG-005-2009 guideline.
Approx. Weight

7.6 oz. (215g)
With battery and SD memory card. Method of noting dimensions and weight is in accordance with CIPA DCG-005-2009 guideline.
Operating environment

Temperature: 0 to 40°C (32 to 104°F)
Supplied Accessories
- EH-69P AC Adapter/Charger
- EN-EL12 Rechargeable Li-ion Battery
- UC-E6 USB Cable
- Nikon View NX 2 CD-ROM

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

**Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer.
***Refer to the product manual or the Compatible Lenses Specification for additional details.

LCD, Video and Photo Gallery images are for illustrative purposes only.

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*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

LCD, Video and Photo Gallery images are for illustrative purposes only.

ViewNX 2

{%= nikon.tmpl_queue.add(function() { YAHOO.ksv.relatedProducts.normalizeProductTileHeight({ "id": "ProductDetail.ProductTabs.Software_product-list-4", "region": "product-details" }) }) %}

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

LCD, Video and Photo Gallery images are for illustrative purposes only.

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*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

LCD, Video and Photo Gallery images are for illustrative purposes only.

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Big Zoom, compact design

Supplied Accessories

Packs a big zoom in a small design

Get closer!

15.5x wide-angle optical Zoom-NIKKOR lens

Nighttime is the right time

12.1MP CMOS image sensor

Lights! Camera! Action!

Full HD (1080p) videos with stereo sound

Clear image preview

Sharp 460,000-dot LCD monitor

Specifications

Product Registration

Nikon Answers Site

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