Bat Movies Part 4: The Dark Knight Trilogy
Friday was a long day. The pure unmitigated horror of what transpired in Aurora, Colorado was on repeat, moments imagined that weren't allowed to leave my mind as we sat around discussing what this meant to us, what this meant to the movies, what this all just meant.Yesterday, I saw The Dark Knight Rises. I took my seat in a state of dread. In his statement, Christopher Nolan described the movie theater as a place of innocence, a hub for vehicles that transport you from reality and all the troubles attached to it. But where do you escape to when it's the theater that's turning on you?
Nolan's movies are full of panic and anxiety, so I questioned my willingness to endure an apocalyptic trilogy capper. But this movie was exactly what I needed. Nolan has always made dark films, but recently they've become not so bleak. As the lights dimmed in the theater, so did my dread. I gave myself into the sights and sound for a final time. And I found it all uplifting and inspirational.
(Those who haven't seen The Dark Knight Rises: This article, and its comments, is henceforth your own personal game of Minesweeper: Spoilers Edition. Play at your own risk.)
The first surprise was how much I enjoyed the villains. I thought Bane would be a total bummer to be around, but I found him almost charming: He sounded funny and could be funny when the moment commanded it, he was menacing as hell, and -- utilizing Tom Hardy's sympathetic eyes to full effect -- could elicit even pity. Anne Hathaway was perfection incarnate; her rendition of Selina Kyle is my favorite ever, in any form. It's a tricky feat to convince the audience that Bruce Wayne and Selina are right for each other, but Nolan delivers just enough interplay to make it work.
And The Dark Knight Rises is a movie of "just enoughs." Just enough Catwoman & Batman, just enough Bane, just enough Gordon, just enough time spent in a dank prison and at occupied Gotham. There are so many moving parts that too much or too little of any element threatens to throw the movie out of its orbit. Nolan keeps it all in balance. However, I'd still question him on Juno Temple's character. How useless was she?
But the real surprise: This is one pulpy movie. Not campy, mind you. The Dark Knight aimed to button the superhero down to reality, but TDKR functions on a grander physical scale. It embraces the outsized comic elements, things like a nuclear bomb plot, a gassy masked villain, and a man who is snapped in two, spending months in the desert to discover his power again. These things are believable, but not particularly realistic (in contrast to TDK being both at the same time). In doing so, the film exits our world and begins to operate on a mythical level. It's really quite easy to escape into this movie.
Now, Nolan is not one to let the details slip past him. So it's another surprise how little details are in place. I predict this is where people will have the most issues with the movie. Details like, how did Bruce Wayne get out of that desert and back into Gotham, which happened to be under full lockdown? Why is Gotham still so clean after 80 days of armed criminal occupation? Everything should be drenched in blood, dirt, and corpses. Instead, it looked like just an emptier Gotham City soundstage. I obsessed over one shot: I don't recall who was speaking, but in the background there was this row of garbage bins. No damage to them, lids still closed. No way they would've still have been there. Garbage cans are the first to go in a riot, everyone knows that! So why did Nolan let these things slide when they would've faced major scrutiny in Batman Begins and The Dark Knight?
The answer I think lies in the story Nolan needed to tell. You could create a whole movie out of Bruce's journey back to America. Or make a PBS miniseries out of daily life in occupied Gotham City. The movie is 15 minutes shy of a three-hour run time and that is just enough room to tell the story without having to cram it in.
Take, for example, the scene where police rush the thugs. It's ridiculous. Why would you charge headlong? That's suicide. Did the cops forget their tactical training while huddled underground? A scene like this would have no place in BB or TDK. In Rises, it's a good fit. In that moment, the story gets a big push forward, crucial when this late in the movie. A slowdown in the narrative would be deadly. Again, was this realistic? Nope. But, believable. A master storyteller like Nolan knows where to make that incision, prescient of how many little details you can remove before you lose the audience and they revolt.
Last note: the fight scenes. In the previous films, the fights were usually inundated with shaky cam, so I applaud Nolan's decision to shoot with steady clarity. There's a matter-of-factness to the way the fights play out, especially the backbreaker one. Nolan doesn't want you to feel like you're in the fight, he wants you to observe, much like Catwoman did. One feels helpless to the brutality, a resigned horror at the sight Batman's punches shrugged off as mere whiffs of wind. That dread builds up again in those moments. But so does a thirst for redemption and salvation. I am grateful The Dark Knight Rises delivered.
Let's set the DeLorean back real quick since I'm realizing I devoted the entire article to The Dark Knight Rises. My curiosity was piqued when I heard the director of Memento and Insomnia was doing a Batman movie. It's largely enjoyable. Even though it represented a hard reset, watching it again and it feels actually like a transitional movie. The production design, especially of Gotham City and the train that is central to the climax, is still Burton-inspired, with lots of brown and rising steam. The men are often tailored into sharp suits, a visual mainstay for every Nolan film going forward. Katie Holmes, however, is really out of place. I suspect that she wasn't Nolan's first pick, furthered by the fact that he was quick to recast the Rachel Dawes role for The Dark Knight. Holmes wears jarringly plain clothes, likely inspired by the successful Kirsten Dunst role in Spider-Man.
The Dark Knight is still my favorite Batman movie, though I'd have to watch Rises again to be certain. Rises had a big sweeping narrative arc that really pulls you in, but there are individual pieces to The Dark Knight that are beyond anything else. The novelty of seeing Batman in this ultra sleek modern world never gets old. And, of course, The Joker. Heath Ledger's performance will remain legendary. So complete was this vision of the Joker that TDK deflates considerably when he's not on-screen.
What's funny is how The Dark Knight now feels in the wake of Rises, which was maximalist with its storytelling in every way. I think the opening bank heist, largely free of special effects, is still the best sequence committed to a Batman film. The vertiginous rush seeing crooks zipline across a cityscape, the back and forth dialogue, and the rising tension as the bad guys start killing each other. It leads to Ledger's incredible introduction and one of my favorite lines, "Whatever doesn't kill you, makes you stranger."
The Avengers was a culmination of a decade of films and staggering business mergers. The Dark Knight Rises closes one of the best trilogies ever, one that redefined what can happen when comic book and cinema collide. We've entered what seems to be a curious age for filmmakers. It's not quite the '70s again, but with Joss Whedon and Nolan writing and directing these films, it's almost like the emergence of blockbuster auteur theory. Where will the superhero movie go from here?
Dave Jordon on 07-23-2012 03:48 PM
Now that nolan doesn't want to do anymore, I guess that means it's either Sam Raimi, Tim Burton or Chris Columbus is going to take over the series again in about a few years time with a whole new cast!
Steven Scott on 07-23-2012 04:14 PM
I wonder who the cast would be?
Tim Olsen on 07-23-2012 04:15 PM
Or Marc Webb.
Norman Dostal on 07-25-2012 09:47 AM
Tim Olsen-Marc Webb ruined spider-man-terrible movie-30 year old super model as peter parker? yuck
Tyler Hovivian on 07-25-2012 05:26 PM
Sorry, bad habit of mine but just have to fix your typo. I believe you meant to say "Sam Raimi ruined Spiderman". Cool, glad we got that taken care of.
ps. And also, Maguire was the same age as Garfield when playing Peter Parker.
Patrick Dobson on 07-27-2012 12:56 PM
i agree with norman dostel on the webb killing spider-man thing; "nolan"-izing spider-man is not the way to go; you don't have to make every superhero movie realistic; anybody who thinks that the amazing spider-man was better than the avengers is kidding themselves
albeit this is my personal opinion, every spider-man movie i saw in theaters i loved (even 3, mainly cuz it was imax), and the newest one to me left a lot to be desired
Richard Sprunk on 07-30-2012 09:48 AM
Agree, the new Spiderman was dismal. No charm, no pop, lousy soundtrack. I preferred Spiderman 3 to this one.
dude meister on 07-23-2012 05:18 PM
Sam Rami? Chris Columbus? This is Batman we're talking about here, you know, dark, brooding. Seriously, are you familiar with the work of those two? They are the complete opposite of Batman. And Tim Burton's not gonna direct Batman again, not a chance. The reboot director would probably be someone like David Fincher or Darren Aronofsky.
Ian Fastert on 07-24-2012 05:59 AM
Um, have you seen Drag Me to Hell?
Philip Zamora on 07-24-2012 06:17 AM
Yeah, it's a cartoonish spookfest. Sure, there are some effective moments, but Raimi's over-the-top style is still in full swing, lots of cartoon influences. What about the moment when the blunt object falls on the gypsy woman's head and her eyes literally bug out of her head like The Mask? I don't think I'd want a Batman movie to go that route.
Todd Garry on 07-24-2012 06:10 PM
Philip nailed it.
Austin Stock on 07-25-2012 01:49 PM
I can't believe you guys compare directors based on specific scenes like that and determine whether they are capable of doing anything dark. The guy created The Evil Dead, one of the first Mainstream American Gore Films that has a tree raping a girl. Based on that scene should I decide whether he can direct Batman? no.
Whoever directs the next Batman is going to be a newcomer just like Nolan was for Batman Begins.
Dave Jordon on 07-25-2012 01:59 PM
In my opinion, Sam Raimi isn't the same director he once was i mean can you really compare the "Evil Dead" movies to the 'Spiderman" movies! Raimi has adapted to using CGI more in his films than using the old style of gory make up and camera trickery! Although, the "Army of Darkness" may seem like a special effects movie, it was very imaginative with so many things happening all the time and a homage to Ray Harryhausen and his "Jason And The Argonauts"!
Dave Jordon on 07-24-2012 03:25 PM
You're forgetting one thing "Dudemeister" both Fincher and Aronofsky best films are normally rated "R" not PG! And the direction of any super hero character does not have to be absolute since a special effects Batman movie can be as successful as one that don't use any CGI at all! For example- Tim Burton's Batman films still resonate with viewers despite being a different Batman character than Nolan's!
King Simba on 07-24-2012 04:15 PM
Okay, first of all all of the past seven Batman live action films have been rated PG-13, not PG. In fact, in the case of Batman Returns and The Dark Knight, the MPAA was actually critisized for being too soft with their ratings. Second of all, I believe Fincher's highest rated film so far is Social Network which is rated PG-13.
Finally, Nolan's previous two films before taking on Batman were rated R, so just because a director starts off with R-rated films doesn't mean he can't do PG-13 films, and as said before, Fincher has already proven that he can handle PG-13 films.
Dave Jordon on 07-24-2012 04:29 PM
If you mean "Inception" it was rated PG! And also Fincher doesn't seem like a director who'd be doing super hero films even if what you're sayying is true! I also thought Social Network was an R rating but notice I said "some" of Fincher's best films are "R" rated!
Bigbrother . on 07-24-2012 06:45 PM
Did Christopher Nolan seem like the kind of director who would do a super hero movie before he did one? How'd that turn out by the way?
King Simba on 07-25-2012 12:03 AM
I said BEFORE he did Batman. Both Insomnia and Memento were rated R. Oh, and Inception was rated PG-13 (I got the box right next to me to prove it). As for Fincher not being fit for Batman, did Sam Raimi seem fit for Spiderman? Did Bryan Singer seem fit for X-men? Did Christopher Nolan seem fit for Batman? Heck, in Tim Burton's case the studio had to release the teasers for Batman 1989 early because of all the complaints people had over choosing a guy whose previous films were comedies. Granted, sometimes the transition from small dramas to big budget Blockbusters don't work out so well (Gavid Hood is a prime example), but then again I think Fincher has proven himself to be fit for Batman. Not only has he dabbled in several genres, from horror (Panic Room) to mystery (Zodiac) to drama (The Curious Case of Benjamin Button), he managed to make an award winning movie out of Facebook, as site that 90% of the time can best be described as a time waster.
Of course the real question is whether or not he'd want to do a superhero movie. Darren Aronofsky has been attached to serveral superhero movies in the past (including Batman before Nolan came along), so I think it's only a matter of time before he finally does one, but I'm not sure how Fincher feels about directing a superhero movie.
Dave Jordon on 07-25-2012 12:07 PM
I wasn't totally clear what you meant but as a result of rephrasing it you made your point clearer. But anyway, Sam Raimi did Darkman before he did the Spiderman movies meaning that if he didn't do it he would've done some other super hero movie. Also remembered Aronosky was attached to many super hero projects but it may be was a result of him wanting to do something that is rated "R" may have been a factor and by looking at the kind of movies he's made so far seem to be an unlikely candidate. And you're also talking about a director(Fincher) who demands many retakes to wanting to make his scenes to be perfect- that in itself would cost any movie company more money than what was intended since super hero films in general can be costly than say any average Fincher film. My point is that not all highly acclaimed directors are not into making super hero films particularly Scorsese, Coppolla and Spielberg(him being an exec to the Transformers movies doesn't even count)! I think that the reason Nolan did the Batman movies was because he thought of a different direction after seeing Burton's Batman movies and Donner's Superman- I read somwhere of one many interviews that he's done. I mean had he not seen those other super hero films he wouldn't have made it at all!
Justin Montello on 07-27-2012 01:23 PM
don't forget The Prestige that was PG-13
Zach M. on 08-21-2012 04:47 PM
Evil Dead.
Shannon Potratz on 07-23-2012 05:19 PM
Apparently there's only three directors in Hollywood for WB to choose from?
Jared Gullage on 07-23-2012 06:16 PM
I think directors should leave this series alone for a long, long time. Nolan has left his mark on it for another ten or so years.
Val Mordas on 07-23-2012 06:34 PM
Indeed. Really the only way they got away with making another Spiderman so soon was that the final Raimi movie was hideous. How are you going to top Nolan's Batmans? Answer: You aren't, you have to let people forget about them and then play to a new generation.
Mark Poirier on 07-26-2012 01:03 PM
Id be shocked if it goes more than 5 years without a new batman movie
Bertram Krogh on 07-24-2012 08:20 AM
I agree, rebooting the films again would be an insult to Nolan himself. He made the series better by miles, and it should be long before another director should even try to fill his shoes. Nolan�??s Batman trilogy is, hands down, one of the best trilogies in movie history. Personally, I thought it was better than Peter Jackson's Lord of the Rings trilogy.
Zach Nix on 07-24-2012 09:58 AM
To be honest, I find trilogies like The Samurai Trilogy from the 1950s to be far better than Nolan's Batman Trilogy.
Dave Jordon on 07-24-2012 03:33 PM
You guys are forgetting one thing Nolan personally doesn't own the 'character' for if Warner Brothers surface another Batman movie in a few years, it's your own choice whether or not you want to check it out or not for it can be concocted into something else with a whole new persona and it's going to make it's money by the new generation!
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Philip Zamora on 07-24-2012 06:19 AM
Just ignore him, he's trying to be controversial to stoke some fire, that's all.
Ashutosh Kapoor on 07-24-2012 08:36 AM
Damn man....your need help asap !!
Dion Johnson on 07-24-2012 04:24 PM
I'm curious of how well Bruce Timm would do a live-action film,myself.
Jamie Evans on 07-25-2012 12:28 PM
What about a guy like Peter Jackson or Guillermo del Toro directing a Batman film. Talk about epic! Those are two directors I would love to see direct a film of this caliber!
Dave Mart on 07-25-2012 01:10 PM
That's precisely why there will never be any other Batman to me than Nolan's version.
Ryan Nolan on 07-26-2012 08:21 PM
Great trilogy that will go down as a classic!
Peter Winters on 07-30-2012 09:58 AM
Uwe Bol?