Inside Art
Partners Create a Superdealership
By CAROL VOGEL
Former executives at Sotheby’s and Christie’s join forces as part of a new partnership of superdealers.
Toxic Beauty: The Art of Frank Moore “Lullaby” (1997), suggesting a plain of sleep, sex, illness and death, is part of a show spanning two galleries at New York University.
“Toxic Beauty: The Art of Frank Moore,” a retrospective in two galleries at New York University, reflects an intellectually fervent maverick commenting on contemporary issues.
Former executives at Sotheby’s and Christie’s join forces as part of a new partnership of superdealers.
For the 11th anniversary of the Sept. 11 attacks, specials include relatively thoughtful documentaries from Testimony Films about firefighters and a remarkable survivor.
Digital technology is changing movies in such groundbreaking ways that “film” is usually a word of convenience and tradition.
“Island Night,” a 12-hour overnight walk on Fire Island, hosted by the arts group Elastic City, is part philosophic dialogue, part poetic reverie and part nature walk.
“Bachelorette,” the film version of Leslye Headland’s play, comes at you with the crackling intensity of machine-gun fire.
“The Yellow Birds,” a brilliantly observed novel by a veteran of the war in Iraq, stands with Tim O’Brien’s enduring Vietnam book, “The Things They Carried,” as a classic of war fiction.
The emerging jazz duo of Peter Brötzmann and Jason Adasiewicz, now on tour, offered a set of improvisation at Le Poisson Rouge.
Marin Mazzie, in her show at 54 Below, uses cabaret as a time machine to revisit her musical past.
“Keep the Lights On,” by Ira Sachs, follows two men as their relationship grows, falters and endures over more than a decade.
John Cage’s centennial was commemorated this week by programs at the Stone, in the East Village, and Symphony Space, on the Upper West Side.
T-shirt descriptions inspired the works in “Raw/Cooked: Ulrike Müller,” at the Brooklyn Museum.
The theme of filial ingratitude looms in Fred Schepisi’s dramatically unsteady, blustery if likable film “The Eye of the Storm.”
“Toys in the Attic,” not always childlike, is an animated tale full of odd characters.
“Beauty Is Embarrassing” looks at the artist Wayne White, known for his work on “Pee-wee’s Playhouse” and other projects.
A 19-year-old actor’s passionate, late-adolescent restlessness awakens some of a 30-something divorced woman’s dormant enthusiasm for life.
The reality show “Cheer” on CMT focuses more on cheerleaders than on their parents, and their leader doesn’t veer into abusiveness for the benefit of the cameras.
The teenage characters of a popular British TV sitcom take their antics to the big screen in “The Inbetweeners.”
“Bound Unbound: Lin Tianmiao,” at Asia Society, focuses primarily on theatrical, technically refined installations by this Chinese artist that have been less widely shown.
The home at the center of “Doris Duke’s Shangri La” unites diverse styles and periods with great taste and great wealth. Its treasures are on display in New York.
In “The Words,” a novelist comes up with the story of a writer who plagiarized yet another writer. Where did that come from?
Christie’s is auctioning research materials used by C. T. Loo, a leading dealer in Chinese artifacts in the first half of the 20th century.
Eric Yahnker, the animator and satirist, shows his gift for visual one-liners in his New York debut at The Hole.
“Kindergarten,” a group show at Ricco Maresca Gallery, experiments with color, shape and pattern in the fashion set out by the 19th-century German educator Friedrich Froebel.
Max Brand’s solo debut in New York at MoMA PS1 features big, colored drawings that create menageries of renderings, figures and doodles.
“The Double Dirty Dozen (& Friends),” a group show at Freight + Volume, revels in representations of the unrepressed libido.
Shades of the old 1970s and ’80s downtown New York at the Ding Dong Lounge and Le Poisson Rouge.
At the 92nd Street Y, an exercise class called Relentless has several components and tends to have repeat participants.
In the documentary “Detropia,” residents lament their city’s plight and artists seek real estate bargains.
“Las Acacias” follows the interaction between a trucker and a woman with toddler.
“Versailles ’73: American Runway Revolution” reflects on a battle between American and French designers.
“Desperate Endeavors” is a 1970s immigrant tale about American materialism.
Suburban cannibalism is central to the plot of “Serving Up Richard.”
In “Green,” a couple’s friendship with a woman is the source of tension.
Newlyweds struggle to reunite after an undeadly virus separates them in the Spanish-language horror film “[REC] 3: Genesis.”
Mulberry Child,” a documentary heavy on re-enactments, shows the generation gap between a Chinese-American writer and her daughter.
Newlyweds struggle to reunite after an undeadly virus separates them in the Spanish-language horror film “[REC] 3: Genesis.”
Finding the unexpected in paintings from out-of-the-way places.
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