Europe

The Treaty of Versailles, negotiated by the fractious Allies in the wake of the First World War, did not crush Germany, nor did it bring her back into the family of nations. Antony Lentin examines a tortuous process that sowed the seeds of further conflict.

With the New Year release of Steven Spielberg’s film adaptation of Michael Morpurgo’s War Horse Gervase Phillips explores the true story of the horses and mules that served the British army during the First World War.

Would a new Act in Restraint of Appeals such as Henry VIII enacted against Rome in 1533 achieve a similar objective for Eurosceptics today of ‘repatriating powers’ from the EU? asks Stephen Cooper.

Robert Pearce asks whether Britain benefited from the 1853-56 contest.

One hundred and fifty years after the establishment of the Kingdom of Italy, Graham Darby reassesses the contribution of one of the key players.

By reinterpreting the years before 1914 William Mulligan sees the 'July Crisis' in a fresh perspective.

Lindsay Pollick reviews changing interpretations.

Courtly love, celebrated in numerous songs and poems, was the romantic ideal of western Europe in the Middle Ages. Yet, human nature being what it is, the realities of sexual desire and the complications it brings were never far away, says Julie Peakman.

Dunia Garcia-Ontiveros considers the works of three authors who, during the religious fervour of 16th-century Europe, moved away from the Church and wrote about magic.

The desire of western governments, most notably those of Britain, to apologise for the actions of their predecessors threatens to simplify the complexities of history, argues Tim Stanley.

Medieval knights were the sporting superstars and military heroes of their day, who performed before an adoring public in the tournament. Nigel Saul explains their appeal.

Richard Cavendish marks the anniversary of the founding of Switzerland's first university, at Basel, on April 4th, 1460.

Jan Gossaert made his name working for the Burgundian court and was among the first northern artists to visit Rome, writes Susan Foister, curator of 'Jan Gossaert's Renaissance', the only exhibition in more than 45 years of works by this archetypal ‘Old Master’.