Stuart

Richard Wilkinson argues against the prevailing orthodoxy.

Jacqueline Riding examines how a 19th-century painting, created almost 150 years after the Jacobite defeat at Culloden, has come to dominate the iconography of that event.

A monarch’s divine ability to cure scrofula was an established ritual when James I came to the English throne in 1603. Initially sceptical of the Catholic characteristics of the ceremony, the king found ways to ‘Protestantise’ it and to reflect his own hands-on approach to kingship, writes Stephen Brogan.

Kevin Sharpe revisits an article by C.V. Wedgwood, first published in History Today in 1960, that looks at the diplomatic mission made by the artist Peter Paul Rubens to the court of Charles I. Read the original article here.

Painter of genius, gifted courtier and much-travelled man of the world, Rubens reached England in 1629, charged with the delicate task of furthering an entente between the Spanish government and Great Britain. C.V. Wedgwood shows how he enjoyed the conversation of his youthful host, whose fine aesthetic taste he shared, but shrewdly judged the weakness of King Charles I’s diplomacy.

Sexually explicit jigs were a major part of the attraction of the Elizabethan, Jacobean and Restoration stage, as Lucie Skeaping explains. 

The fortunes of Oliver Cromwell and Charles II and the regard in which their successive regimes came to be held were mirrored in the fate of one of their mightiest naval vessels, as Patrick Little explains.

Martin Greig reveals the intimate relationship between the powerful Earl of Lauderdale, Charles II's Secretary for Scotland in the 1660s, and a Scottish spinster who became the earl's 'Presbyterian conscience' during a tumultuous period for kirk and crown.

Lucy Worsley reveals the strange stories of the cast of characters on the King’s Grand Staircase at Kensington Palace, painted by William Kent for George I in the 1720s.

John Spiller assesses James I’s impact on the Puritans and the Puritans’ impact on James I.