November 30, 2011
Is This the First In-Space Portrait?
One day while searching around for cool space photos, as we do, we stumbled across this Bloomsbury Auction offering up nearly 300 vintage NASA photographs. They come from the collection of Victor Martin-Malburet, a savvy young French space buff who discovered the niche a few years ago and began snapping up 1960s-era prints, soon amassing one of the biggest collections outside of NASA. He eventually combined forces with fellow Frenchman Felix Winckler, and the two displayed their Mercury, Gemini and Apollo collection in Paris and Tokyo before cashing out in this month’s London auction.
While browsing, we were particularly interested in this photograph, captioned, “Ed White in the capsule, the first in-flight portrait of an astronaut, Gemini 4, June 1965.” We wondered, was it really? We know about these 1962 photos of John Glenn taken while he was completing the first American orbit aboard Friendship 7, but we’ll assume “in-flight portrait” specifically means a photo of one human taken by another, and Glenn, of course, was the only person aboard. Gemini III had the first American two-man crew, but an improper lens setting on their camera left history with almost no in-space photographic evidence.
There are also these images of cosmonaut Alexei Leonov taken by crewmate Pavel Belyayev during the world’s first spacewalk a few months before Gemini IV, but they’re actually stills from a videocamera (also, the auctioned photo’s caption says “astronaut,” so between that and not having access to all of Russia’s photograph archive, we’ll just stick with the Americans here). So might this photo of Ed White really be the first astronaut portrait photograph taken by another in space?
We dropped a line to Mike Gentry, a researcher at NASA’s Johnson Space Center photo archives and asked him what he thought. Part of the problem is knowing whether or not this photo was taken before or after White’s spacewalk, which was thoroughly photographed by crewmate Jim McDivitt. So we took a look at the few frames surrounding the auctioned photo, which was labeled with the negative number S65-30549 (49).
The previous negative, 48, is another, virtually identical photo of White inside the spacecraft, while the negative following the auctioned frame, 50, was taken during White’s spacewalk. We were about to feel confident that the in-spacecraft photo was taken before the spacewalk, until we kept going back. Frame 47? Nearly identical to 50. Gentry says it appears that this short series of negatives may be stereo pairs.
So if the order of the negatives isn’t going to tell us anything, where else might we look? Some Googling took us to this exchange on CollectSpace.com, which refers to the mission transcript. On page 123, well after the spacewalk, White says to Mission Control, “You might ask … if they can work up some settings for inside-the-spacecraft pictures; we have 200 feet of film. I have taken a few in here already, but I thought they might give us a suggested light meter reading.” While certainly not conclusive, we might be able to infer from this exchange that McDivitt hadn’t taken any inside-the-spacecraft pictures yet, and therefore the close-up portrait of White was taken after the spacewalk. That would mean that McDivitt’s photographs of White during his EVA would truly be the first images of an astronaut taken by another astronaut. The photograph above at left (negative number S65-29730) of White floating out the hatch may indeed be the first.
We also noticed this exchange in the transcript:
McDivitt: We’ve got a lot of other kinds of film we better take.
White: The only thing, we’re not keeping good books on it right now.
McDivitt: You’re telling me! It’s lousy!
White: You keep books and then you miss other things.
I suppose we can’t blame them for not wanting to “miss things” during their short time aloft, leaving us a mystery box of pictures. Our deduction is all a bit circumstantial, but we hope the buyer who laid down a cool 1400 pounds — a thousand pounds over the auction’s estimated value — for the vintage chromogenic print on November 3 was paying for the vintage-iness and the fact that it’s a gorgeous photo in its own right, and not necessarily its “first” status. Of course, since NASA’s photograph collection is not copyrighted, you can download the photo for free and print it out: 1400 pounds worth, except you’ll have to live with that new-print smell.
November 22, 2011
Where Were You?
Where were you on July 20, 1969, when Apollo 11 astronauts Neil Armstrong and Buzz Aldrin first walked on the moon? What were you doing on October 4, 1957 when the Soviets launched Sputnik? Do you remember April 12, 1981, when the space shuttle Columbia made its first flight?
In 2008, the Smithsonian’s Folklife Festival included the program “NASA: Fifty Years and Beyond,” and as part of that program, visitors were encouraged to document (written on note cards and recorded on tape) their memories of America’s space program. A few of the festival-goer’s memories appear below.
As the 50th anniversary year of human spaceflight draws to a close, we ask you to remember your own space milestones. After you read the remembrances here, leave a comment to tell us where you were, what you saw, and how you felt.
I had just learned to drive my husband’s stick shift car. He worked in the simulation lab with astronauts. I was stopped in front of their building to pick up my husband. As he got into the car, he said, “There’s Neil.” I said, “Neil who?” He said, “Armstrong! Who else?” At that point I went limp, the clutch jumped, the car lurched forward, and Neil just missed being hit.
I grew up in Huntsville, Alabama. I remember Werner von Braun was our most famous citizen. Huntsville was very sleepy until Sputnik was launched. All of a sudden, Huntsville became a hotbed of activity, all centered on the space program. Within three years, the U.S. had an active space program. Many of the engines for spacecraft were built in Huntsville. Huntsville calls itself “The Space Capital of the Universe” now. In 1950, it was known as “the Watercress Capital of the U.S.” Things change!
In 1957 Sputnik went up and the talk was that U.S. students had to catch up academically. I was 10 years old—the next day was the first time we ever had homework in school.
I was in second grade when the entire student body of Norfeld Elementary reported to the auditorium to watch a not-very-big portable black-and-white TV for a Mercury capsule splashdown in the Atlantic. We were all worried that it could miss and veer back into space forever. (It went OK.)
When I was in elementary school, a man came to the school and sang songs about Black Holes. Needless to say, I was terrified.
I’ve been fascinated by space exploration for my entire life. My family tells me that my first word was “moon.” Now I work as a NASA contractor, on a mission to the Moon (LRO). I’m grateful to be standing on the shoulders of giants, the men and women before and beside me that helped NASA and all space agencies achieve what they have. And we’re only at the beginning of the adventure.
September 23, 2011
Brave Archivist Rifles Through Clinton’s Stuff, Rewarded
Among the things one expects to find while sifting through former President Bill Clinton’s stuff, a lost moon rock might be low on the list. The half ounce piece, one of the Goodwill Moon Rocks brought back on Apollo 17, was given to Arkansas three decades ago and reported missing sometime last year. Wednesday morning, reports the AP, an archivist who was looking through the former governor’s papers opened a box and discovered it. No one knows how it got in there, but the archivist, Bobby Roberts, who directs the Central Arkansas Library System, seems content to set ‘em up and knock ‘em down, “I guess it’s one more Arkansas mystery solved.”
This recently found moon rock is one of about 200 small fragments presented as gifts to foreign nations, U.S. states and territories. All were sliced from a single Apollo 17 sample, number 70017, and many are unaccounted for today. Various investigations have been pursued over the years to track down these and other missing moon rocks, including Operation Lunar Eclipse, the joint sting operation between NASA, the U.S. Postal Service and U.S. Customs that recovered the Goodwill Moon Rock originally given to Honduras. Another somewhat famous escapade includes the interns at Johnson Space Center who smuggled out a 600 pound safe containing samples from all the Apollo missions (the F.B.I. caught them).
NASA’s Office of the Inspector General keeps tabs on any information surfacing about moon rocks, both to collect missing pieces and to sweep counterfeit rocks off the market. Updates are published in the office’s semi-annual reports — just last year they recovered a Goodwill Moon Rock intended as a gift to Cyprus (pdf), however, “The plaque had been intended for delivery by a U.S. diplomat to the people of Cyprus as a gift when hostilities broke out in that country. The plaque had remained in the custody of the diplomat until his death and was recovered from his son.”
Wikipedia’s moon rocks page collects more stories, such as the ill-fated gift to Ireland: the Apollo 11 rock ended up in a landfill. (Their Apollo 17 rock is safe in a museum, at least.) Clearly, some of these will never be recovered. But sometimes, every once in a while, you can just open a box.
September 13, 2011
A New Angle on a Space Shuttle Launch
What’s a better way to get a new view of a space shuttle launch than using a “whole-sky lens”? Better known as a fisheye lens, videographer Dennis Biela and his crew used it to catch Atlantis rising swiftly into the Florida sky on its final launch in July, before droplets from the steam clouds obscure the view.
You might already be familiar with some of Biela’s team’s work, including the 360-degree view of Atlantis‘ flight deck that’s been making its way around the internet for the past few months. Click over this way for a large series taken around Kennedy Space Center in the days around the last launch; navigate through by clicking on the series of boxes at the bottom left.
September 1, 2011
Pirates Ready to Board the Space Station
Ahoy there, Matey! Lately it seems that everywhere you turn, there’s a pirate. There are pirate-themed children’s books: Do Pirates Take Baths? and Pirates Don’t Change Diapers (honey, they don’t even change socks). There’s “International Talk Like a Pirate Day” on September 19, founded by Cap’n Slappy and Ol’ Chumbucket. Your car can sport a pirate bumper sticker (“Grog is my Co-pilot”) and your dog can wear a pirate outfit. So it was only a matter of time before NASA began sending pirates to the International Space Station.
Actually, the idea was the brainchild of Sean Collins, the graphics technical lead at NASA’s Johnson Space Center. We profiled Collins in July, for his work with the astronaut unofficial crew posters. NASA crews customarily take a series of photographs near the end of their pre-mission training, all shot on the same day, and the last 15 minutes of the photo shoot are set aside for what has come to be known as a “fun photo,” usually a parody of a popular movie. When we last spoke to Collins, he already had the idea for Expedition 30′s unofficial crew poster: He wanted to use the 2011 film Pirates of the Caribbean: On Stranger Tides, and title the parody “Pilots Over the Caribbean.” (Click here for a high-res version.)
While Captain Jack Sparrow (Johnny Depp) has an “X” tattooed on his cheek, Expedition 30 commander Dan Burbank has a small International Space Station tattoo. And the bone dangling from Sparrow’s head scarf has been replaced with a Soyuz rocket. The roman numerals for 30 have been inserted throughout the poster: across Burbank’s eyes, wrapped around his dreadlock, tattooed across European astronaut André Kuipers’ chest and arm, and pinned to Russian cosmonaut Oleg Kononenko’s hat.
From left to right: Cosmonauts Oleg Kononenko and Anatoly Ivanishin, astronaut Dan Burbank, cosmonaut Anton Shkaplerov, ESA astronaut André Kuipers, and astronaut Don Pettit.
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