Album review: Neil Young, 'A Treasure'
3.5 stars (out of 4)
The line on Neil Young’s “difficult” ‘80s period goes something like this: Young was struggling with family issues, battling with his record company, bouncing from style to style willy-nilly like a moth in a lightbulb factory. There were experiments in electronic music, rockabilly, blues and hardcore country. Even his own label sued him for making music “not characteristic of Neil Young,” whatever that means.
Young’s ongoing series of archival releases allows him to have the last word, or at least to frame what he was doing in a clearer context. “A Treasure” (Reprise) documents his country phase and makes the point that, no matter what his detractors and doubters say, it really wasn’t a “phase” at all, but one of his periodic and most fully realized immersions into the genre. The dozen tracks are drawn from a 1984-85 tour with an excellent eight-piece band he dubbed the International Harvesters. It included longtime collaborator Ben Keith, as well as such stellar Nashville instrumentalists as Rufus Thibodeaux, Spooner Oldham and Hargus “Pig” Robbins.
The set includes five previously unreleased Young songs, all of which present credible takes on Nashville traditions: the way cornball humor masks a broken heart in “Let Your Fingers Do the Walking,” the outlaw swagger of “Soul of a Woman,” the sweet celebration of a newborn daughter in “Amber Jean,” the hard-won spiritual wisdom of “Nothing is Perfect,” and the stomping, howling “Grey Riders” – a new, old classic.
What makes this album a must for Young aficionados is that the Harvesters are likely the most musically accomplished band the singer ever assembled. Thibodeaux’s fiddle and Keith’s steel-guitar complement Young’s craggy guitar; there’s an evident virtuosity, but it never comes off as slick. This band could light up any honky-tonk on a Saturday night.
Young revisits a couple of older tunes that clarify his intentions. There’s a twangy, chugging reconfiguration of the hard rocking “Southern Pacific” and also a reprise of Buffalo Springfield’s “Flying on the Ground is Wrong,” on which Richie Furay originally sang lead. In reclaiming “Flying,” Young affirms that for him country music wasn’t just another ‘80s mood swing, but an essential building block of his career.
greg@gregkot.com
Listened to the tracks yesterday via spoonysdiary.. Neil Young is not only a giving performer to his audience but compliments whomever he is working with and vice a versa. I think he/his music is misunderstood by the masses (at least in my neck of the woods). In my heart his music has always struck a chord; always fresh and he is extremely talented surrounding himself with the same.
Neil Young is the meaning of "true". Saw him in "Freedom Of Speech" tour and it amazed me to see he still had the guts to get on stage and make blatant political statements in an outdoor public arena. He will never let you down. Love him.
Gina M. NY
Posted by: Gina | June 10, 2011 at 10:51 PM
I recall this tour back in the day with Neil and the IH band. I thought it was a brilliant move on his part, particularly after the Comes a Time LP that still shines through today as a drive down a country / Nashville road. Neil has always been about the music, not the label or the genre, it just kind of fantastic that he does pretty well at nearly all of them. The Treasure version of Southern Pacific is really great when you think of the orginal from the early 80's Reactor LP and its pre-grunge power crunch sound, could these two be the same song? With Neil, they are. The sound of Rufus Thibideaux's fiddle throughout this record and Ben Keiths pedal steel make for a perfect foundation for Neils arrangements, voice and guitar.....heres to hoping Neil continues to haul more stuff from his tape vault.....
Posted by: Nick | June 13, 2011 at 07:46 AM
I caught his concert at the Greek in Berkeley wth a good friend of mine that is now also deceased. I miss him but at least Neil is still rockin in the free world.
loved it.
Neil,
Keep throin that bone!
Posted by: Dave Biagini | June 14, 2011 at 10:46 AM
Just listened THE complete album. And again. And again. Stellar. Can't Find other words. They don't make them like THis anymore.
Posted by: Ton | June 17, 2011 at 02:36 PM