The Paramount Theatre has announced the cast for its first self-produced musical: Jim Corti's fall production of "My Fair Lady."
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THEATER REVIEW: "Sky's the Limit (Weather Permitting)" at Second City e.t.c. ★★★½
The title is equally infused by an optimistic spirit and the sense that you really can't trust your power to stay on for long these days.
Chicago Shakespeare Theater has announced casting for its upcoming production of Stephen Sondheim and James Goldman's "Follies." Hollis Resnik will perform the role of Carlotta (and sing "I'm Still Here") in director Gary Griffin's production.
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THEATER REVIEW: "A Beautiful Spell" at the Royal George ★
At the top of Greg Kalleres' new bedroom drama, a wife wakes up in the middle of the night and tells her husband that, all of a sudden, she has lost all the love she ever had for the poor sap.
THEATER REVIEW: "Pinkalicious" ★★½ by Emerald City Theatre at the Broadway Playhouse
Pinkalicious Pinkerton, whom you'll detect is the heroine of this little musical fable for the preteen set, has a thing for pink cupcakes.
BY NINA METZ ... David Henry Hwang's witty "Chinglish" is one of the first major U.S. plays to address the rising economic power of China. Currently in a world premiere at the Goodman Theatre, it stars actress Jennifer Lim in her Chicago debut.
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THEATER REVIEW: "en route," presented by Chicago Shakespeare Theater ★★★★
Good theater can make the strange familiar. Great theater usually makes the familiar strange.
THEATER REVIEW: Cirque Shanghai Extreme ★★½
If you've never seen the show before, you'll find that Cirque Shanghai offers an enjoyable 90 minutes.
Nathan Lane, one of Broadway's most bankable names and star of "The Addams Family," will appear alongside Brian Dennehy next spring at the Goodman Theatre in a new production of Eugene O'Neill's epic drama "The Iceman Cometh," directed by Robert Falls.
Get the full story >>On the night in December when the first national tour of "West Side Story" opened in Los Angeles, the director David Saint had a drink thrown in his face.
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COMEDY REVIEW: Jeff Garlin's "No Sugar Tonight" at Steppenwolf Theatre ★★★
Only Jeff Garlin could get away with doing an entire show about his giving up sweet stuff, even titling the show "No Sugar Tonight," while swigging from a bottle of Gatorade.
Chris Jones picks opening nights in Chicago and the suburbs.
Get the full story >>Former "Saturday Night Live" star Nora Dunn will star in the Chicago production of "Love, Loss and What I Wore," producer Daryl Roth announced Thursday.
Get the full story >>Kerry Reid reviews "Exiles" and "Vincent River," the first two of a trilogy by Theatre Y.
Get the full story >>Kerry Reid on what's on stage in Chicago's suburbs for the week of July 15-21.
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THEATER REVIEW: "Romeo and Juliet" ½
Kerry Reid reviews First Folio Theatre's production for the Tribune.
THEATER REVIEW: "The Wiz" at Theatre at the Center ✭✭✭
"The Wiz," let us stipulate, was always a weird show. With the passage of 36 years, it only has become stranger.
Jessie Mueller, the versatile musical-theater actress known for her work at the Marriott Theatre, Drury Lane Oakbrook and the Goodman Theatre, appears headed for Broadway in "On a Clear Day You Can See Forever," starring Harry Connick, Jr.
Get the full story >>Kathryn V. Lamkey, the respected head of the Actors' Equity Association in Chicago, is to retire at the end of the year, Equity announced Tuesday morning.
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COMEDY REVIEW: Hannibal Buress at Zanies ✭✭✭½
If you want to hear crickets in a comedy club, here's one useful line: "Who's here tonight on an Internet date?"
Writers' Theatre in Glencoe said Monday that it has hired Studio Gang Architects, led by Jeanne Gang, to design its proposed new home in the northern suburb.
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THEATER REVIEW: "That Face" at Redtwist Theatre ★½
Playwright Polly Stenham's family drama falls short.
THEATER REVIEW: "Stations Lost" by Tony Fitzpatrick at the Steppenwolf Garage ★★★
With his gig at the Steppenwolf now seemingly an annual event, Tony Fitzpatrick is taking on the air of Garrison Keillor, as seen from the back of a Damon Avenue bus.
Jonathan Berry, one of the Chicago theater's most promising young directors, has scored a Gotham gig.
Get the full story >>The planned summer production of "Mommies - A Musical Blog" has been postponed, producer Jeanie Linders said Thursday afternoon. The show was to have opened July 29 at the Royal George Theatre.
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THEATER REVIEW: "The All New Original Tribute to the Blues Brothers" at the Auditorium Theatre ½
So at the Auditorium Theatre, there's an Australian Elwood, a British Jake and a European cover band.
The Theater Loop has a new look. However, all your favorite features are still here. In the near future, we hope to bring you yet more new content and resources.
Get the full story >>Here in sweet home Chicago, Jeff Garlin has gone from "I Want Someone to Eat Cheese With" to "No Sugar Tonight." It's an interesting 20-year trajectory. A revealing 20-year trajectory. Wouldn't you say, Mr. Garlin?
Get the full story >>The Neo-Futurists have announced their 2011-12 season. Typically electic titles abound.
Get the full story >>Nina Metz reviews Towle Theater and Bohemian Theatre Ensemble, both playing at Theater Wit, for the Tribune's On the Fringe.
Get the full story >>Chicago Dramatists said Wednesday that Meghan Beals McCarthy has been hired as the theater's new associate artistic director.
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THEATER REVIEW: "A Girl With Sun in Her Eyes" by Pine Box Theater ½
Some formidable acting power is stuffed into this deceptively titled little drama by Joshua Rollins that's actually a gritty police procedural.
While performing in Chicago last month as part of the Just For Laughs festival, comedian Bill Burr spotted an audience member texting in the front row.
Get the full story >>"Traces," the circus show that impressed at the Broadway Playhouse in Chicago last winter, is getting an off-Broadway run. The show will open in August at the Union Square Theatre in New York. It's the work of the Montreal-based 7 Fingers; Fox Theatricals are the producers.
Get the full story >>TORONTO - At Luminato, the festival of arts, culture and ideas that just concluded in Canada's largest city, one message rings the loudest and clearest: This festival was created "to shine Toronto's light on the world and the world's light on Toronto." You can't say it much clearer than that.
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THEATER REVIEW: "Ovo" ½
Insects are such a good match for the Cirque du Soleil, you have to wonder why those scurrying around that famous Montreal hive had not thought of them before.
THEATER REVIEW: "Beauty and the Beast" at the Oriental Theatre ½
Many Belles wander smiling through the proceedings. With Emily Behny, you feel something is at stake.
David Henry Hwang's "Chinglish" is that rare theatrical beast that's culturally wise, but also enough of a good time that if you head over to the Goodman directly from the office, you won't feel like you've shelled out money to take part in some kind of after-hours seminar.
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THEATER REVIEW: "Chinglish" at the Goodman Theatre
Business relations develop to the point a Chinese buyer and U.S. seller find themselves in bed together.
THEATER REVIEW: "The Homosexuals" by About Face at the Biograph
Evan tries to figure out what it means to be gay when, as his friend observes, "there are no dirty words."
Kerry Reid reviews The New Colony and Oracle Productions in On the Fringe
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THEATER REVIEW: "Educating Rita"
Kerry Reid reviews Willy Russell's chamber comedy about a young working-class hairdresser in Liverpool bent on self-improvement and the embittered middle-aged English professor who becomes her tutor.
THEATER REVIEW: "All in Love Is Fair" by Black Ensemble Theater
There is a naughty nickname associated with the music of the late Luther Vandross, reflecting the accepted wisdom that his silky voice never fails to leave silky undergarments on the rug. So if you're going to create a show based on vignettes of couples falling in, falling out of and staying in love, you could do a lot worse than using Vandross and other R&B masters as your soundtrack.
NEW YORK — "Spidey 2.0," as the once-pretentious, hitherto-arty, forever-costly musical called "Spider-Man: Turn Off the Dark" is now colloquially known, is quite startlingly different from the disastrous original incarnation of the comic-book musical that humbled Bono and The Edge and ate Julie Taymor alive.
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THEATER REVIEW: "The Last Act of Lilka Kadison" ★★½
About halfway through, I found myself reflecting on the deep perils of dramatizing the memories of older folk.
At one point in Kimberly Senior's juicy Redtwist Theatre production of Tracy Letts' "Bug," I completely forgot about the dead body lying on the floor for several minutes. Until I happened to shift in my seat, and found my foot touching soft flesh. And I didn't even think I'd picked a particularly prominent seat.
Get the full story >>Gunner, the memory-challenged central character in Bruce Graham's new play "The Outgoing Tide," is slowly losing his grip on the ebbs and flows of life. But whereas it must be tempting to play an elderly man suffering from the onset of Alzheimer's, or severe dementia, as a timid, nervous fellow, there is not a hint of that in John Mahoney.
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