By Selena Fragassi
Grace Potter and the Nocturnals bring their night moves to Chicago. [16.Jun.11]
While Spurlock promises real insight into the corporate world, and the audience keeps looking for it, it turns out there is none. [15.Jun.11]
Despite being able to draw audiences into 3,000 seat venues, The Avett Brothers still manage to capture a bit of the feeling of street buskers. [15.Jun.11]
Attenberg is always fun to wrestle with, and it leaves a pungent impression you can’t easily shake. [14.Jun.11]
By Melissa Bobbitt
Flogging Molly's records are boisterous things to blast, but until you’re swept up in the frenzy of a friendly jig, you haven’t fully grasped what they are about. [14.Jun.11]
There are few bands in the indie-rock scene that are capable of taking the studio template of their songs and growing them onstage into unique versions that take the listener on more of a journey. [13.Jun.11]
With their ability to tap into universal emotions on everything from breakups to wanting to change the world, the Airborne Toxic Event have established themselves as one of the 21st century's most promising bands. [09.Jun.11]
By Selena Fragassi
Urge Overkill resists nothing in their long overdue homecoming. [08.Jun.11]
Bingham's soulful blend of blues, rock and country has made him one of the greatest crossover artists of modern times, able to appeal to a wide-ranging audience in a way few others can. [07.Jun.11]
With one of the greatest convocations New Orleans has to offer, the first weekend of the 2011 Jazz & Heritage Fest provided everything from zydeco to Cajun to Americana – with a side of crawfish. [06.Jun.11]