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5 posts categorized "Gorillaz"

April 17, 2011

Album review: Gorillaz, 'The Fall'

2.5 stars (out of 4)

Recorded in hotels on ring-leader Damon Albarn’s iPad while Gorillaz toured North America last year, “The Fall” (Virgin/EMI) was originally made available only to fan-club members, but now receives its official release. In comparison to the three previous Gorillaz albums, laden with guest stars and ambitious production, this comes across as a far more modest affair, with its bedroom beats, gentle guitars, purring keyboards and wistful vocals. A sinister vibe burrows into the buzzing foundation of “The Snake in Dallas,” but most of the 15 tracks come off as a dreamy travelogue – America as seen from the window of a tour bus. In keeping with the album’s sparse tone, the star turns are reduced to a bare minimum – the Clash’s Mick Jones and Paul Simonon add a bit of guitar and bass, and Bobby Womack sings the folk-soul lament “Bobby in Phoenix.” Mostly, this is Albarn making one for the headphone-obsessed in his fan base, a soundtrack for kicking back in the back seat and watching the world drift past.

greg@gregkot.com


December 15, 2010

Top concerts 2010

As 2010 winds down, we’ve still got a bunch of potentially terrific shows to look forward to, including Ludacris at the Allstate Arena (Sunday), Elvis Costello at the Chicago Theatre (Monday) and the Hold Steady at Lincoln Hall (Dec. 30), plus a gaggle of New Year’s Eve shows that we’ll preview in future columns.

But it’s also time to take stock and look back on a year of heavy-duty concert-going. Out of more than 100 shows I attended, here are my favorites from 2010:

1. Gorillaz, Oct. 16 at UIC Pavilion: The cartoon band invented by Blur’s Damon Albarn and Jamie “Tank Girl” Hewlett more than a decade ago has morphed into a real band, with more than 30 musicians and singers, including a core group built on former Clash members Mick Jones and Paul Simonon. Albarn orchestrates it all, blending hip-hop, dub reggae, Eastern music, punk, soul and myriad other genres into a soundtrack for a dying planet that doesn’t sound like a eulogy at all. Instead, it becomes one the year’s biggest dance parties. 

Continue reading "Top concerts 2010" »

October 17, 2010

Concert review: Gorillaz at UIC Pavilion

    Midway through Gorillaz concert Saturday at the UIC Pavilion, the cartoon character/rock star Murdoc popped up on the big video screen looming behind the band and vented his exasperation.

    “How much longer is this warm-up band gonna hog the stage?” the green-tinted bassist snarled.

    The creation of cartoonist Jamie Hewlett and Gorillaz mastermind Damon Albarn, Murdoc is Albarn’s alter-ego. On the virtual band’s first tour a decade ago, flesh-and-blood musicians played behind a scrim while the cartoon band led by Murdoc took center stage.

    The roles have been reversed on the current tour, and while Murdoc has undeniable charisma in the snaggle-toothed tradition of Keith Richards, he was no match for his “warm-up band.” Albarn was accompanied by more than 30 musicians and singers, including a core group built on former Clash members Mick Jones and Paul Simonon.

Continue reading "Concert review: Gorillaz at UIC Pavilion" »

October 14, 2010

Weekend's top show: Gorillaz at UIC Pavilion

Gorillaz: Rare tour by the cartoon alter-ego band of Blur singer Damon Albarn, coming off an album, “Plastic Beach,” that plays like a chilled, chilling elegy for a dying planet, 7:30 p.m. Saturday at UIC Pavilion, 525 S. Racine, $61.06, $77.03, $107.97; ticketmaster.com.

greg@gregkot.com

March 03, 2010

Album review: Gorillaz, 'Plastic Beach'

3 stars (out of 4)

Former Blur singer Damon Albarn once again acts as ringleader of the world party known as Gorillaz. With its cartoon visuals and eclectic guest list, Gorillaz provides Albarn with a level of anonymity and freedom to indulge his wide-screen taste, everything from collage-like soundtrack music to hip-hop. Gorillaz’s music took a dark turn on its second album, the 2005 release “Demon Days,” and that anxiety hovers over “Plastic Beach” (Virgin), replete with imagery of a world suffocating on its own excess. Albarn is producer this time, and his touch is less pop-centric than his predecessors – first-album producer Dan the Automator and “Demon Days” overseer Danger Mouse. The result is an album that is slightly less immediate – the instant appeal of a hit such as “Clint Eastwood” or “Feel Good Inc.” is lacking.

Bobby Womack’s strident vocal on “Stylo” is a rare burst of exuberance, but much of the rest exudes a chilled charm. Albarn’s great talent is in bringing together seemingly mismatched elements from different cultures, genres and generations and creating something wonderful, never more so than on “Superfast Jellyfish,” which pairs the trippy give-and-take of De La Soul with the dreamy uplift of Super Furry Animals’ Gruff Rhys. The Lebanese National Orchestra provides a percolating foundation for U.K. grime MCs Kano and Bashy on “White Flag,” and a deadpan Lou Reed sounds right at home in Albarn’s alien dreamscape on “Some Kind of Nature.” Chicago’s Hypnotic Brass Ensemble looms large in collaborations with Snoop Dogg and most especially Mos Def (the escalating “Sweepstakes”). And then there’s Albarn himself, a master of lost-in-space melancholy on “Broken.” Call it a postmodern eco-elegy, a kaleidoscope of voices and sounds from a dying planet.

greg@gregkot.com

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