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Dance Punk Rules: An Interview with Matt & Kim
Matt Johnson of Matt & Kim tells PopMatters about the time that Kim punched him and how the duo accidentally became a band writing songs that write themselves ... [1.Jun.11]
Death Cab for Cutie: Codes & Keys
It's billed as being unique and different -- keyboards instead of guitars! -- but Codes & Keys is the sound of Death Cab at their most generic, disjointed, and disinterested. [1.Jun.11]
My Morning Jacket: Circuital
As popular as the band gets, and as often as younger bands come along that emulate them in some way, My Morning Jacket still are always walking their own path. [31.May.11]
Hip-Hop's Heartbreak: Kanye West - Say You Will
The focus of this latest Between the Grooves series is hip-hop superstar Kanye West's moody Auto-Tune-heavy opus, 808s & Heartbreak (2008). In this first installment, Colin McGuire explains why “Say You Will” is not just a great song, but also a great way to begin a trip into the mind of West himself [31.May.11]
Don't Feel Doomed: An Interview With the Moondoggies
“It’s very natural to be overwhelmed or consumed by negative things,” Kevin Murphy says. “This record is about trying to be constructive, about not wanting to feel doomed.” [31.May.11]
Mixed Media
News
By Greg Kot
Public Enemy's Chuck D once said hip-hop was black America's CNN. If so, Gil Scott-Heron was the network's first great anchorman, presaging hip-hop and infusing soul and jazz with poetry, humor and pointed political commentary. [31.May.11]
Reviews
WedTueFriThuWed
It's billed as being unique and different -- keyboards instead of guitars! -- but Codes & Keys is the sound of Death Cab at their most generic, disjointed, and disinterested.
Posthumous reissue of Jay Reatard's first recordings on Goner offers a glimpse into the fury and joy of a songwriting genius.
There's something self-satisfied about the plainness of these tracks, so what starts as pop purity becomes pop music with blinders on.
The legendary and legendarily batty reggae pioneer teams up with Bill Laswell, with Bernie Worrell and TV on the Radio's Tunde Adebimpe lending a hand. The Lee Perry-ness that ensues is of a notably refined nature.
A slightly confusing, mostly dull offering from the third tier of neo soul.
Tennessee-bred group won't be chasing someday much longer.
As popular as the band gets, and as often as younger bands come along that emulate them in some way, My Morning Jacket still are always walking their own path.
Bazan is an expert craftsman, effective singer, and hard worker, and his new album's about as exciting as road construction.
We've been learning the story of African music as it garners more and more attention, and this disc is a fine chapter to add to it, no matter how much you've already heard.
Like an essay built around the regular insertion of aphorisms.
After some light-hearted Strange Journeys, one of the most under-appreciated hip-hop acts around returns with their first album since 2007's Dirty Acres, focusing on the nature of dreams.
Indie rock band Augustana attempts to find itself on self-titled release, but ends up taking several steps backwards.
No one will deny it's going to be the biggest pop album of the year, but the needlessly excessive religious imagery, surprisingly repetitive beats, and unfocused songwriting wind up burying some of Born This Way's best moments.
How much Iggy is too much? It's a question the ancients have pondered, made more complicated by this 4-disc set of live songs
What's the trade off for accessibility? Here, it's an album custom fit to suit its creator but brimming with ideas.
The Case Files is not a new Peter Case album per se, but rather an odds and sods collection of demos, outtakes, one live shot and other rarities recorded between 1985 and 2010.
Twin releases from singer-songwriter Edie Brickell, demonstrating that a certain kind of folk-pop still has life.
Like Bukowski, the gloomy laureate whose work is re-sounded here, Nichloas Urie is not afraid to walk on the dark side. He's also able to find fragments of beauty in the gloom.
After four years of work, Amon Tobin returns with the most forward-thinking electronic album you're likely to hear for quite some time: the stunning ISAM.
Thurston sounds like Thurston, even when he's acoustic. He's just not nearly as interesting.
Afrodiaspora is a journey through the African diaspora of Latin America featuring unlikely journeys into Puerto Rican hip-hop and New Orleans funk.
A polite and well-rehearsed take on Evil Psychedelic Soul.
A reissue of three vinyl-only Horror soundtracks with a deep house pedigree on Modern Love.
Forty years is enough time to produce a surfeit of good music, but somehow the label's staff has compiled a two-disc set that's a fitting tribute.
Japanese sludge heroes release simultaneous albums: a quiet poppy album and a heavy poppy album. Interestingly, the quieter album works better.
Latest release continues a remarkable evolution.
There’s no subject the Indelicates are afraid to tackle. Their third release tackles only one subject, yet it’s their most ambitious undertaking to date.
The return of Bobby Liebling is the kind of triumph we were hoping for but could never believe would actually happen.
Former lead singer of 4 Non Blondes starts a new band and devotes the entire album to airing her dirty laundry about a failed relationship. Not as awful as it sounds, but not as good as it should be.
German debutant takes the listener on a sweeping electronic Grand Tour, but bites off a bit more than he can chew.
Capsule Reviews
Events
Features
Matt Johnson of Matt & Kim tells PopMatters about the time that Kim punched him and how the duo accidentally became a band writing songs that write themselves ... [01.Jun.11]
“It’s very natural to be overwhelmed or consumed by negative things,” Kevin Murphy says. “This record is about trying to be constructive, about not wanting to feel doomed.” [31.May.11]
Columns
Mixtape Confessions
My fiancée and I will soon move across the country with whatever will fit in our Honda Civic. This has brought up some discussions about which possessions are truly worth keeping. [25.May.11]
Aural Fixation
There's all this buzz that Glee has passed Elvis Presley for the most Hot 100 hits in history. But does this really put that two-year old show on the same level as the King of Rock 'n' Roll? Really? [24.May.11]
From The Blogs
The focus of this latest Between the Grooves series is hip-hop superstar Kanye West's moody Auto-Tune-heavy opus, 808s & Heartbreak (2008). In this first installment, Colin McGuire explains why “Say You Will” is not just a great song, but also a great way to begin a trip into the mind of West himself [31.May.11]
DVD Reviews
From early short subjects to appearances on The Ed Sullivan Show and The Dinah Shore Chevy Show, this is nearly 40 years of exclamatory madness. [26.May.11]
This winning documentary sheds a light on a part of Seattle's musical history that probably very few residents of Seattle knew very much about. [11.May.11]
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