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49 posts categorized "Lollapalooza_"

August 08, 2010

Lollapalooza 2010: Reviews from Day 3


Video by Kevin Pang


 
Lollapalooza is a wrap, setting a new attendance record of 240,000 for the three-day festival, up 15,000 from the peak set in 2008 and ‘09.

Here’s an excerpt from my Monday story for the print edition that summarizes my concerns about the record-busting weekend:

Size matters at Lollapalooza, as the festival expanded its reach westward by shutting down Columbus Avenue and spreading eight stages across 115 acres, up from 80 acres in previous years. Columbus Drive was converted into a giant sidewalk lined with portable toilets, a simple but effective improvement that allowed fans to avoid the dreaded Buckingham Fountain bottleneck that had turned previous festivals into human traffic jams. The festival topped its previous three-day record of 225,000, reached the last two years.

Still, there was little room during some performances at the northernmost stages on Butler Field, where fans jostled shoulder-to-shoulder for space to see performances by Metric, Phoenix and Arcade Fire. Note to Austin, Texas-based promoters C3 Presents: How about widening the southern entrance to Butler Field or moving one of the stages onto Columbus Drive to relieve what is becoming an annual problem? It's only going to get worse if the festival approaches its new capacity of 95,000 a day in future years. 
 
As for the music, here’s how Day 3 went down Sunday, with reports from me (GK) and my indefatigable colleagues Bob Gendron (BG) and Andy Downing (AD).

11:20 a.m.
Chicago DJ Dani Deahl begins her early set on Lollapalooza's final day under gray skies and a steady stream of raindrops. Flanked by a quartet of dancers that pop-and-lock like extras from Madonna's “Vogue” video, Deahl mixes glammed-up disco grooves with harder rock beats (dig that ominous, reverb-soaked bass line), but has a hard time rousing the couple dozen early arrivers that mill about the stage. Surrounded by partially-deflated beach balls, the soggy attendees — some wearing wide-brimmed sombreros — stand around glumly as though their afternoon beach party has just been canceled. (AD)

Healthlolla10

View more Lollapalooza 2010 pictures.

11:35 a.m.
Health guitarist-vocalist Jake Duzsik throws his instrument down on the stage floor. The action isn't out of frustration. Rather, it's part of the Los Angeles quartet's sonic terrorism that, along with the steady rain and wind, gets Day Three off to a ruckus start. There's no way to tell if the noise rock band (above) makes any mistakes. Borrowing from the Japanese no-wave tradition, songs aren't concerned with form. Function — namely, using various gadgets, hot-rodded computer keyboards and tribal percussion to stir up a frenzy — is key. Indecipherable vocals, phased effects, repetitive electronic loops and programmed synths that mimic shorting-out fuses contribute to the danceable commotion. One wonders what E.T. would've done had the alien heard the group's version of Speak and Spell transmissions. In the process of bridging abrasive disco to hyperactive punk, Health aptly reminds everyone about the importance of treating attention-deficit disorders. (BG)
 

Continue reading "Lollapalooza 2010: Reviews from Day 3" »

Live updates from Lollapalooza 2010: Day 3

>>> 5 p.m. Update from Greg Kot

  


>>> 1:30 p.m. Update from Bob Gendron




Missed our coverage of Lollapalooza 2010? Read/watch our recaps from Day 1 and Day 2. 
 
 

August 07, 2010

Lollapalooza 2010: Reviews from Day 2


Video by Kevin Pang
 
Day 2 of Lollapalooza in Grant Park is in the books. Here’s how it went down Saturday with reports from Bob Gendron (BG), Andy Downing (AD) and yours truly, Greg Kot (GK).

11:22 a.m.
New Orleans' five-piece My Name Is John Michael kick off day two of Lollapalooza with a repetitive set every bit as unremarkable as the band's name, which itself sounds lifted from a sales conference ID badge. Songs like “Misery Runs” and the remember-me-when-I'm-gone pleas of “Every Night of the Year,” identical in nearly everything but name, combine static, dual percussion, chiming guitar and frontman John Michael's joyously slurred vocals. The band plays with energy, and a handful of numbers are colored with woozy, mournful horn, but the songs often sound so interchangeable that my initial reaction when the group starts into its second cut is: “Didn't they play this one already?” Indeed, even when the band switches it up for a solitary, melancholic murder tale, Michael immediately follows with an apology, saying, “Thanks for bearing [with us] through the ballad.” Generic, easily-forgotten performances like this make the lineup's dearth of Chicago acts even more egregious — particularly this early in the day. (AD)

11:51 a.m.
Visions of a mullet-haired Bono conquering Red Rocks in 1984 spring to mind as the Kissaway Trail proclaims "Can be strong! We'll beat it!" over a machine-gun rhythm that reinforces the cheerleading lyrical sentiments. Channeling the Flaming Lips as well as a host of new-wave acts, the Danish quintet is still searching for it's own sound, but its synth-rock could earn it a slot on the soundtrack to the eventual remake of "Sixteen Candles." A few zealous fans wave miniature Danish flags as the band breaks out an electric mandolin and doubles up on keyboards. "New Lipstick" is dedicated to the group's native country's future king, an interesting touch, but the reasons for the ode remain as undistinguished as a majority of the band's harmless albeit largely forgettable work. (BG)

12:03 p.m.
"We recognize it is the crack of dawn in terms of Lollapalooza time," admits Morning Benders' Christopher Chu, who, along with his mates, look as if they should be at math camp. The wholesome appearance matches the relative politesse of the band's atmospheric pop, laden with strolling country accents, bleary-eyed textures and reverb-soaked effects. It's a pleasant way to begin the day, with "Promises" unfolding as a surf-rock homage and "Cold War" tracing 60s California pop harmonies. The promising group needs to learn to let loose a bit more onstage, mainly by opening up it's otherwise muted distortion. But the Morning Benders know how to send everyone out smiling. Latching onto an old-fashioned "la da da dum" melody, the quartet turns the lawn into a piano lounge, circa 1940. Waltzing a capella harmonies inspire fans to slow dance as Chu steps on the distortion pedal, showers the finale with bittersweet feedback and brings everybody back to 2010. What a way to exit. (BG)
 

Continue reading "Lollapalooza 2010: Reviews from Day 2" »

Live updates from Lollapalooza 2010: Day 2

>>> 7 p.m. Update from Bob Gendron

  


>>> 4:30 p.m. Update from Greg Kot
 


>>> 2 p.m. Update from Bob Gendron




Click here for our minute-by-minute coverage of Lollapalooza Day 1.

August 06, 2010

Lollapalooza 2010: Day 1 in review


Video by Kevin Pang
 
It was supposed to be Lady Gaga’s night, and there was no doubt that a majority of fans Friday at Lollapalooza were there to see her. But Gaga hasn’t got anything on Mavis Staples, who threw down in her set with an urgency and passion that belied her 71 years. She was accompanied on a couple of songs by Wilco’s Jeff Tweedy, but even Tweedy stood humbly in the soul queen’s shadow, the force of her performance demanding everyone’s attention.

Lollapalooza is open for business in Grant Park for the weekend, and we were there to cover it all -- “we” being my colleagues Bob Gendron (BG), Andy Downing (AD) and yours truly, Greg Kot (GK). Kevin Pang was everywhere with his camera and edited our series of video reports. Here’s how it went down Friday at the biggest ever Lollapalooza, with eight stages spread out across 115 acres in Grant Park (up from the usual 80). 

11:13 a.m.
Fans patiently stand in line until the gates open, clear security, then sprint toward the main stage in hi-heels, fishnets and “Lady Gay Gay” T-shirts to position themselves as close as possible for Lady Gaga’s headlining performance nearly nine hours later. Hope they packed sunscreen. (GK)

11:20 a.m.
This must be dress-up day at the festival, as Lady Gaga wanna-be’s in blond wigs or monster suits (I see at least one “lion” with a tail) compete with Devo fans wearing the band’s trademark “energy domes” (blue flowerpot hats). (GK)

11:25 a.m.
These United States frontman Jesse Elliott reports on a "dire situation." The beer truck that is responsible for getting artists their beverages is apparently delayed in traffic. However, a concertgoer offers up his brew to the thirsty singer, and moments after, the day is saved when a tray of 16-ounce cans arrive onstage. The Kentucky quintet, the first band to play at this year's festival, earns its liquid rewards. Steeped in crunchy guitar tones and twangy accents, the band's loping roots rock references good-time Southern heritage. "The Great Rivers" slips and slides, a veritable invitation to go skinny dipping on a sunny day. With a handkerchief hanging out of his back pocket, Elliott hops around on the equally tuneful "The Important Thing," and pedal-steel guitar lines inspire spontaneous fits of dancing during the Bakersfield-flavored "Honor Amongst Thieves." A fine way to begin the day even if the crowds are still sparse. (BG)

Continue reading "Lollapalooza 2010: Day 1 in review" »

Live updates from Lollapalooza 2010: Day 1

>>> 6:30 p.m. Update from Greg Kot


 
 

>>> 5:30 p.m. Update from Bob Gendron
 

  
 

>>> 3:30 p.m. Update from Greg Kot




>>> 2:30 p.m. Update from Bob Gendron

  


>>> 10:55 a.m. Update from Greg Kot


August 04, 2010

Lollapalooza 2010: Do's and don'ts for festivalgoers

The following items are allowed at Lollapalooza:
 
Blankets, sheets, towels
Umbrellas (only hand-held)
Soft-sided coolers
Baby strollers
Two factory-sealed water bottles (up to 1 liter each)
Empty camelback or other empty plastic container (i.e., Nalgene Bottles, Klean Kanteens, Sigg Bottles)
Binoculars
Non-professional recording equipment (point and shoot cameras, flip video cameras)

 
The following items are not allowed at Lollapalooza:

 
Weapons, including fireworks or explosives
Illegal or illicit substances
Large backpacks (framed, hiking backpacks)
Glass containers and metal aerosol cans, including sunscreen in aerosol cans.
Outside food or drinks (including alcohol), except two factory-sealed water bottles
Skateboards, scooters or personal motorized vehicles
Bicycles inside festival grounds (bike racks are available near box office).
Carts, tents and chairs
Hard-sided coolers
Pets (except service dogs)
Professional recording (photo, video, audio) equipment (no detachable zoom lenses, tripods or other commercial equipment)
Unauthorized/unlicensed vendors,
Unauthorized solicitations, handbills, sampling, give-aways.

--Greg Kot

greg@gregkot.com

August 03, 2010

Lollapalooza's must-see bands: An hour-by-hour guide to 3 days of music

Lollapalooza: More than 130 bands and artists on eight stages play 11 a.m.-10 p.m. Friday-Sunday in Grant Park, $90 per day ($215 three-day pass); lollapalooza.com.

FRIDAY

11 a.m.

Don’t miss

B.O.B. (11:30 a.m., Adidas Mega): Blink and you’ll miss it – North Carolina MC Bobby Ray Simmons is not only one of the few hip-hop acts on the bill, but also one of the few to score a No. 1 hit with “Nothin’ on You.”

Catch if you can

These United States (11:15 a.m., BMI): Roots-rockers from Kentucky imbue their retro twang and gospel leanings with psychedelic atmosphere.

Noon:

Don’t miss

Balkan Beat Box (12:15 p.m., Parkways): The Israeli group, a spinoff of Gogol Bordello, uses ethnic music from the Mediterranean and Balkans as fodder for hip-hop, dub reggae and punk.

Catch if you can

The Ettes (12:30 p.m., BMI): Co-ed Nashville quartet keeps it simple, elemental, jacking sounds from early punk, the rawer fringe of country and ‘60s rock.

Continue reading "Lollapalooza's must-see bands: An hour-by-hour guide to 3 days of music" »

Lollapalooza 2010: Bigger than ever, but will it be better?

Lolla
At East Congress Parkway and Michigan Avenues, union stagehands work atop a support structure on August 2, assembling a sign at the entry to this weekend's Lollapalooza concert. (Tribune photo by Chris Walker)

Lollapalooza had maxed out. For the second straight year in 2009, the festival sold out and 75,000 fans a day turned Grant Park into a mass of sun-baked humanity. Something had to give, and I argued in my ’09 wrap-up story for a smaller festival with fewer stages, fewer bands and a lower ceiling on attendance.

Did the powers that be listen to me? Of course not. This year’s festival has the potential to be even bigger, with the attendance capacity bumped to 95,000 a day.

The good news is that the festival will now have significantly more room for its eight stages; two of the stages will be moved westward across Columbus Drive, and the total acreage assigned to the festival will increase to 115 from 80. Theoretically, this will alleviate some of the bottlenecking that occurs around Buckingham Fountain each year and significantly reduce sound bleed between stages.

 Charlie Jones, one of the co-owners of Lollapalooza promoters C3 Presents, says that he will likely sell fewer tickets than allotted this year to gauge the impact of the expanded festival on the fans and the park itself. He says it’s unlikely that the festival would approach capacity, and if it did, he would cut off sales short of the goal.

Continue reading "Lollapalooza 2010: Bigger than ever, but will it be better?" »

July 28, 2010

Smaller, less-expensive shows still work in concert industry's summer of 'doom and gloom'

Lincolnhall
Audience members watch a music performance at Lincoln Hall, a smaller venue that's been successful in its first year open. (Tribune photo by Andrew A. Nelles)

The arena and amphitheater-level concert industry – a cornerstone of rock touring since the ‘60s – is slumping in what is normally its most profitable time of year.

Summer is traditionally when the touring business makes two-thirds of its revenue. But a few weeks ago, executives of Live Nation Entertainment – the country’s largest concert promoter and ticket seller – reported a 12 percent decline in revenue and lashed out at shareholders for abandoning the company as the value of its stock plummeted.

Overall, the top 100 tours are down 17 percent in revenue, posting their lowest midyear total since 2005, according to trade publication Pollstar. The average number of tickets per show has dropped to 6,951 from 7,639.

Another large-scale concert event -- Lollapalooza, one of the most commercially successful rock festivals ever staged in Chicago -- rolls into Grant Park Aug. 6-8 under a legal cloud: an antitrust investigation by the Illinois attorney general’s office.

But on a smaller level, things aren’t quite so dire. In Chicago, clubs such as Buddy Guy’s Legends in the South Loop have expanded and attracted more business, and nearly a year after its opening, Lincoln Hall has solidified its status as a top North Side concert venue. The Old Town School of Folk Music recently announced plans to expand, and will be operating three concert venues by late 2011. The Pitchfork Music Festival in Union Park sold out all three days in Union Park in mid-July. Attendance at weekend street festivals continues to be strong. Independent concert promoter Jam Productions reported an increase in ticket sales over last year, bucking the industry trend, according to Pollstar.

Continue reading "Smaller, less-expensive shows still work in concert industry's summer of 'doom and gloom' " »

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•  Lollapalooza 2010: Reviews from Day 3
•  Live updates from Lollapalooza 2010: Day 3
•  Lollapalooza 2010: Reviews from Day 2
•  Live updates from Lollapalooza 2010: Day 2
•  Lollapalooza 2010: Day 1 in review
•  Live updates from Lollapalooza 2010: Day 1
•  Lollapalooza 2010: Do's and don'ts for festivalgoers
•  Lollapalooza's must-see bands: An hour-by-hour guide to 3 days of music
•  Lollapalooza 2010: Bigger than ever, but will it be better?
•  Smaller, less-expensive shows still work in concert industry's summer of 'doom and gloom'

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