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7 posts categorized "Besnard Lakes"

January 13, 2011

Tonight's top show: Besnard Lakes at Lincoln Hall

Besnard Lakes: Last spring this Montreal outfit roared at Pritzker Pavilion in Millennium Park. In more intimate confines, the quartet’s epic mood-shifting music should raise the roof, 8 p.m. Thursday at Lincoln Hall, 2424 N. Lincoln Av, $15; lincolnhallchicago.com.

greg@gregkot.com

December 15, 2010

Top concerts 2010

As 2010 winds down, we’ve still got a bunch of potentially terrific shows to look forward to, including Ludacris at the Allstate Arena (Sunday), Elvis Costello at the Chicago Theatre (Monday) and the Hold Steady at Lincoln Hall (Dec. 30), plus a gaggle of New Year’s Eve shows that we’ll preview in future columns.

But it’s also time to take stock and look back on a year of heavy-duty concert-going. Out of more than 100 shows I attended, here are my favorites from 2010:

1. Gorillaz, Oct. 16 at UIC Pavilion: The cartoon band invented by Blur’s Damon Albarn and Jamie “Tank Girl” Hewlett more than a decade ago has morphed into a real band, with more than 30 musicians and singers, including a core group built on former Clash members Mick Jones and Paul Simonon. Albarn orchestrates it all, blending hip-hop, dub reggae, Eastern music, punk, soul and myriad other genres into a soundtrack for a dying planet that doesn’t sound like a eulogy at all. Instead, it becomes one the year’s biggest dance parties. 

Continue reading "Top concerts 2010" »

December 03, 2010

Top albums of 2010

Janelle-monae-400

Photos: Top albums | Top Box Sets

Here are my favorite albums of 2010:

1. Janelle Monae, “The ArchAndroid” (Bad Boy): The Atlanta singer’s boundary-busting debut album has ambition to burn. It’s a self-empowerment manifesto couched inside a futuristic “emotion-picture” about an android’s battle to overcome oppression – got all that? The music is equally adventurous, touching on everything from lounge jazz to hard funk. A star is born.

2. The Besnard Lakes, “The Besnard Lakes are the Roaring Night” (Jagjaguwar):  The Montreal band perfects its marriage of Brian Wilson-like melodic splendor and My Bloody Valentine-worthy guitar roar. While the lyrics are a bonfire of earthly espionage and anxiety, the music shoots for the heavens.

Continue reading "Top albums of 2010" »

May 24, 2010

Concert review: The Besnard Lakes at Millennium Park

Besnard
The Besnard Lakes at 2010 SXSW fest in Austin, Texas. (Photo for the Tribune by Jack Plunkett)

Olga Goreas stepped on the Pritzker Pavilion stage Monday in Millennium Park with her band, the Besnard Lakes, and surveyed the scenery: city skyline to the west, Lake Michigan to the east, and about 5,000 people fanned out in front of her.

“Wow!” she said, and got down to work.
 
It was one of those perfect nights when the setting, the weather and the music converged. On a balmy, almost tropical night, the Besnard Lakes brought the soundtrack. What a way to start one of the best musical events this city has to offer – its free Downtown Sound series, a great reason to spend summer Monday evenings on the lakefront.

The Besnard Lakes were a fine choice for an opener. The Montreal quartet releases a sumptuous album every three years or so --  the latest is one of this year's best, "The Besnard Lakes are the Roaring Night" -- and visits Chicago just about as often. Since its last tour, the foursome has only grown as a band, each stately song stringing together a series of musical movements like discrete scenes from a movie.

Continue reading "Concert review: The Besnard Lakes at Millennium Park" »

May 19, 2010

Besnard Lakes: Dreams of turntables and espionage

    Jace Lasek of the Besnard Lakes is a vinyl junkie.

    It doesn’t matter to him that most of the world is now downloading music rather than listening to it on a turntable. He still considers the vinyl album the ultimate gauge of a band’s worth, and each Besnard Lakes album is crafted with the turntable listener first in mind.

    “We use the vinyl record as a template while in the studio,” says Lasek, who cofounded the Montreal band with his wife, Olga Goreas, in 2003. “We’re constantly thinking about side breaks, and we never make records over 46 minutes. After you get over 42, 44, you lose sound quality with vinyl -- and that’s a priority for us. We’re always thinking about the flow, not about individual singles. We want to make record that’s a cohesive whole, with no junk, no filler.”

        Lasek’s devotion is full-time. When he isn’t making Besnard Lakes albums, he’s running a recording studio in Montreal. Before that, he was a hard-core fan who was inspired by great albums, “the gems that were incredible front to back, the labored-over records that don’t have any filler.” He lists “any Bee Gees album from 1965 to ’73,” as well as Pretty Things’ “SF Sorrow” and “Parachute,” the Beach Boys’ “Pet Sounds,” Dennis Wilson’s “Pacific Ocean Blue,” Spiritualized’s “Lazer Guided Melodies” and My Bloody Valentine’s “Loveless” as among his favorites.

Continue reading "Besnard Lakes: Dreams of turntables and espionage" »

March 21, 2010

SXSW 2010: Out of 1,900 bands, here are a few more of the best

Sharonjones
Sharon Jones performs at SXSW. (Jay Janner, AP) View more 2010 SXSW pictures.

AUSTIN, Texas -- South by Southwest isn't just about introducing the new (unsigned bands looking for that first big break) or showcasing the established (top acts with new projects to sell). Sometimes it's about perseverence.

Case in point is soul singer Sharon Jones. At 53, she's been working the soul circuit with little recognition for decades. But her excellent band, the Dap Kings, was used by Amy Winehouse to record the U.K. singer's breakthrough album, and now Jones is finally getting some long overdue props. In a canary yellow dress and high heels, Jones was a whirlwind force in her showcase set, singing with fervor while shimmying as if electricity were shooting through her frame. I didn't see a better live performance all week.

Besrnards
The Besnard Lakes perform at SXSW. (Photo for the Tribune by Jack Plunkett)

They didn't have to wait as long as Jones, but Montreal's Besnard Lakes also are starting to catch a well-deserved buzz. I first saw the band two years ago at South by Southwest, when they were confined to a corner stage in a noisy bar. All the elements of their sound were in place then -- soaring, falsetto vocals; ebb-and-surge arrangements; crashing guitars; towering choruses. Now with the release  of the group's third album, "The Besnard Lakes are the Roaring Night," the band is a secret no more. The audience for their South by Southwest showcase at Stubbs was 10 times the size of the one that saw them in 2008, and husband-and-wife team Jace Lasek and Olga Goreas did not disappoint. They're poised for a breakthrough year.

Continue reading "SXSW 2010: Out of 1,900 bands, here are a few more of the best" »

March 09, 2010

Album review: The Besnard Lakes, 'The Besnard Lakes are the Roaring Night'

3.5 stars (out of 4)

Patience isn’t just a virtue, it can be absolutely transcendent. With its long introductions and songs that gently unfold before rolling over the listener like a tsunami, “The Besnard Lakes are the Roaring Night” (Jagjaguwar) is all about patience and pay-off.

The Montreal band’s second album, the 2007 release “The Besnard Lakes are the Dark Horse,” established the group’s ambitious mix of orchestral pop and guitar-heavy rock, a marriage of Brian Wilson-like splendor and My Bloody Valentine-worthy roar.  On the follow-up, the blend of those two seemingly incompatible styles is even more seamless and refined. The band manages to take its time without ever sounding slack. If the lyrics are a bonfire of earthly anxiety, the music shoots for the skies.

Both “Land of the Living Skies” and “Like the Ocean, Like the Innocent” are two-part epics that build with expertly orchestrated force. “Chicago Train” opens in fragile beauty, a far-off voice rising like a wordless siren over doleful strings, then shifts into chugging guitar rock. “Albatross” sets Olga Goreas’ pleas in a womb of woozy guitars, falsetto harmonies and regal trumpets. “Light up the Night” turns cataclysm into a hymn.

Goreas and husband Jace Lasek cowrote, coproduced and performed most of the album, with assistance from drummer Kevin Laing and guitarist Richard White. Right now no one is making music this grand, this big, this moving with so much assurance.

greg@gregkot.com

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