Concert review: Paul Simon at the Vic Theatre
Paul Simon has played stadiums and festivals. He’s done Central Park. So it was a treat Monday to see one of the most venerated songwriters of the last half-century turn the relatively intimate, sold-out Vic Theatre into his living room.
The 69-year-old singer-songwriter dressed for the occasion in loose-fitting jeans and black T-shirt underneath an unbuttoned shirt. His eight-piece multi-culti band framed him, with Simon at times resembling a crossing guard at a three-way intersection as he directed musical traffic. His foot tapped, his arms waved, he crouched and jutted a guitar toward his musicians, he even played an air washboard solo.
In one sense, the two-hour, 24-song performance played like a mini-history of rhythm, spiraling out from the doo-wop of Simon’s native New York to West Africa down the coast to Capetown and then out to the Caribbean, into Brazil, Memphis and New Orleans. His band of multi-instrumentalists was versatile enough to keep pace with Simon’s game of continental hop-scotch, the singer demonstrating how he synthesized his rhythm journeys into durable pop songs.
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