Cannes 2010: The (partial) reinvention of Alejandro Gonzalez Inarritu
With his new film "Biutiful," Alejandro González Iñárritu, the director of such ambitious multicultural movies as "Amores Perros" and "Babel," shows he hasn't changed at all.
Well, maybe a little bit.
The Mexico City-born, Los Angeles-based filmmaker premiered his new movie — a story of a low-level hustler with a righteous streak (Javier Bardem) — on Monday night at the Cannes Film Festival. The Spanish-language movie features no structural sleight-of-hand or interlocking stories in the manner of his three previous pictures (the Sean Penn-Benicio del Toro drama "21 Grams" preceded "Babel") — a function, in part, of González Iñárritu's messy divorce with triptych-happy writer Guillermo Arriaga after the release of "Babel."
Instead, "Biutiful," which González Iñárritu co-wrote with two new partners, moves pretty much directly forward in time and is centered intently on one man.
"After ‘Babel,’ I was very interested in showing one point of view and one character, which I've never