Erika M. Anderson from the sadly unheralded Gowns makes the kind of record 2011 needs and deserves, whether it knows it or not.
Rooted in extreme metal but completely unclassifiable, the Brooklyn band's second album ranks as one of the most exciting, not to mention polarizing records of the year so far.
In the Wake of Poseidon is dated only in the sense that it sounds like it was made in 1970, and 1970 was a very nice year indeed for the making of albums.
Just ignore that cover and you'll be treated to some of the finest punk music you've (n)ever heard.
Bring Your Own is like a series of really elaborate, and genuinely very funny, jazz-related practical jokes -- like a Louis Armstrong whoopee cushion.
Did you know that if you threw an accordion, percussion, electronics, and an accordion into a blender that you might end up with one of the best albums of the year?
On the 30th anniversary of his death, has Bob Marley's activist legacy been overshadowed by a manufactured Legend?
The RiverRun International Film Festival showcases a moving portrait of a man in his element, standing at the transformative intersection between hip-hop, education, and craft.
In this edition of Counterbalance, Mendelsohn and Klinger play the tape machine, make the toast and tea, and enjoy a spirited debate about the Who’s 1971 tour de force. They’re all wasted!