Gone though the Person Pitch soup is, Lennox serves up an album of small plates with the same sonic acumen as its predecessor.
Here is the latest video from the international collective Playing For Change, "Groove in G," featuring a pulsating bed of Indian, African, Jamaican and Brazilian percussion colored by subtle accents from sitar, veena and sarod.
I am aware that Michelle's child is a girl and that there were no brises discussed in this episode. It just went so well with the word "bitches," you know? As detailed here, I have no integrity.
I'm obviously not the target demographic for Disney's Prom. Still, I'd like to think that, even if I were a teenage girl, I'd be smart enough to see this for the formulaic b.s. that it is.
Both these shows seemed shaky ideas: a revival of a creaky comedy and a musical based on a so-so movie. One of them is a happy surprise and the other is just sinfully shameless enough to get by on a wing and a prayer.
Monday night's premiere of Last Night at the Tribeca Film Festival highlighted the audience and illusion that the festival itself is trying to draw downtown: young, hip, and flush with cash.
Bang Bang tells the story of four photojournalists in South Africa, whose graphic images of the civil war shocked the world during the final days of the Apartheid.
"The movie business is just like the TV business. A business. Same in Moscow, same in Hollywood. The "No" you get creatively is the same in every language. Just change the accent. And the drink you have after."
Emmylou Harris is an unspeakably nice person. Her twitches are minor: baseball, her dogs, and if there's a third one, I've forgotten it. And her career reads equally saintly.
Known for their barely-there shorts and habit of standing legs akimbo, the singing duo have never been afraid to cast subtlety aside. So why are Eurovision's sexiest contestants finally covering up?
For anyone who doubts that a singer with a guitar has the power to change the world and alter your DNA, here are Emmylou Harris, Steve Earle, and The Airborne Toxic Event to set you straight.
It's bad enough to know, intellectually, that our partners have had others. But to have to see it? With commercials? I'd sooner spend six weeks in Los Angeles freeway traffic than be subjected to such a thing.
Can a cute but combative couple find love, peace and happiness on the long and winding -- and sometimes lonely -- road? Such is the mixed metaphorical conundrum facing The Submarines.
When it comes to what I call "human-scale" films, the rest of the world is eating our lunch.
As a Muslim and an Arab I was by default attracted to Koran By Heart's subject matter. A film about an annual competition in reciting the Muslim holy book that takes place in my original hometown of Cairo.
Are these shutterbugs adrenaline junkies, journalists, artists, or simply guys with a death wish? As the film follows the lives of the men with and without their cameras, we see that there are no easy answers.
In this Q&A; with documentary filmmaker Morgan Spurlock, we go behind-the-scenes of The Greatest Movie Ever Sold. What are the lessons learned from product placement?
The depth and diversity of Karsh Kale's 13-song catalog is certain to be chosen time and again for years to come -- even if you don't watch each flick every time you put on the headphones.
Most of us who are passionate about films wish to live in an alternate universe. That is the basic premise of J.S. Mayank's 26-minute film Supernumerary.
Theo Spielberg, 2011.04.27
Marshall Fine, 2011.04.27