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James Fallows

James Fallows

James Fallows is a National Correspondent for The Atlantic. A 25-year veteran of the magazine and former speechwriter for Jimmy Carter, he is also an instrument-rated pilot and a onetime program designer at Microsoft.

James Fallows is National Correspondent for The Atlantic. He has worked for the magazine for more than 25 years, based in Washington DC, Seattle, Berkeley, Austin, Tokyo, Kuala Lumpur, Shanghai, and most recently Beijing. He was raised in Redlands, California, received his undergraduate degree in American history and literature from Harvard, and received a graduate degree in economics from Oxford. In addition to working for the Atlantic, he has spent two years as chief White House speechwriter for Jimmy Carter, two years as the editor of US News & World Report, and six months as a program designer at Microsoft. He is an instrument-rated private pilot.

Fallows has been a finalist for the National Magazine Award five times and has won once; he has also won the American Book Award for nonfiction and has been an Emmy nominee for a documentary "Doing Business in China." He was the founding chairman of the New America Foundation. His two most recent books, Blind Into Baghdad (2006) and Postcards from Tomorrow Square (2009) are based his writings for The Atlantic. He is married and has two sons.

Filtered by "art" (Clear filter)

They're back

Two months ago, during wrangling over the Chrysler bailout plan. Original item here.

Portrait.jpg
 

Today, after the GM bankruptcy declaration. Both photos by Doug Mills of the NYT.

SecondTableau.jpg


This gives me the overdue opportunity to announce the results of the "which Old Master tableau does the Obama team portrait remind us of?" competition, as previously conducted here. Also to see if even two months in public service has had any of the famous hyper-speed aging effects so famous from past administrations. (I started working in the Jimmy Carter administration at age 27; I was in my late 40s when I left two years later.) Also, to reflect on the change in visual dramatic tension caused by Larry Summers's absence from a group portrait.

But none of this just now, as I am breaking the #1 survival rule for the correspondent 12 time zones away from the head office: never turn on the cell phone or look at the computer if you wake up at 2:30am. More later.

Last crop of political-art nominees

Starting with a late favorite in the polling, Rembrandt's The Night Watch (two other Rembrandts among previous nominees, here). The main resonance is of course between the central figure in one scene and his counterpart in the other.

Rembrandt_night_watch.jpg


Portrait.jpg


A few more after the jump.

More »

More political artwork

We're nearing the end here. Four more proposed Old Master precursors for the memorable Obama group portrait. Previous candidates here. Probably one more crop to come, then the exciting lessons of our brief look at art.

First, Governors of the Wine Merchants Guild, by Ferdinand Bol. I won't pretend that this was the Old Master I was thinking of, since I'd not aware of having seen it before.  But still:
 
GoverorsofWine.jpg

Portrait.jpg


Next, a detail from Raphael's School of Athens, featuring the raised-finger gesture we see from Obama.
 
SchoolofAthensDetail.jpg


After the jump, two more with the raised-finger motif.

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Three from Frans Hals

I'm going to start moving through these more briskly now. A pattern is emerging in the elements that make the Obama group portrait seem Old Masterish.  Previously here. For now, three from Frans Hals. First, Regents of the Old Men's Almshouse -- as with The Anatomy Lesson, thematically strangely appropriate for the Chrysler-bankruptcy team.
HalsRegents.jpg


Portrait.jpg


If all but six people were removed from the Obama portrait, leaving only (from left)  Geithner, Summers, Obama, Browner, Rattner, and Bernstein, they would match the positions and angles of the six Regents surprisingly well.* Though Carol Browner probably wouldn't be wild about the one matched with her.

Next, Officers and Sergeants of the St. Hadrian Civic Guard
FransHals1.jpg

And, the famous Meagre Company, apparently so named because the figures are all thin. On this basis, the Obama group portrait should be called Somber Company.
FransHalsMeagre.jpg


More coming.
__
* Geithner, Summers, and Obama you know. The woman is Carol Browner; Steve Rattner is behind her with round glasses; Jared Bernstein is just in front of him with gray hair. 

News as art, continued

Back to the "what does this scene remind me of?" category, previously here, while still looking into further flu news in China. Many nominations for this painting, usually with apologies for the larger Messianic implications:

LastSupper3.jpg



Portrait.jpg


After the jump, for greater clarity of detail, an early non-Leonardo copy of the painting as it once may have looked. Plus another version not by Leonardo. More to come, with eventual wrap-up thanks to all contributors.

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Another nominee from Rembrandt...

...in the "art prefigures" life category, previously here and here. The Anatomy Lesson of Professor Nicolaes Tulp, 1632. Some obvious differences in composition. But some nice similarities. In the role of the instructive Prof. Tulp we have the instructive Pres. Obama. In the role of the cadaver, we have the Chrysler Corporation, though out of view. (Yes, yes, I have owned several Chrysler cars and know it will be stronger than ever after the restructuring, etc.) More to come.

The_Anatomy_Lesson.jpg


Portrait.jpg


The Syndics of Pennsylvania Avenue

The nominees are coming in for the Fine Arts precursor to yesterday's news photo of the Obama auto-industry task force, as explained here, with several plausible contenders. First up: Rembrandt, with Syndics of the Amsterdam Drapers' Guild, 1662.  More nominees on their way. And in the meantime, on the general phenomenon of Fine Arts precursors to current images, see Lawrence Weschler's Everything That Rises: A Book of Convergences, with excerpt here.

Syndics.jpg


Portrait.jpg


I like some of the matchups of Tim Geithner and Gary Locke with their Amsterdam counterparts. Also, a fact worth mentioning to viewers of the second picture: surprising as it might seem given this picture, Lawrence Summers is actually quite a good athlete. The more I look at this picture, the richer it is.

News as art

From my misspent years in DC, I believe I can identify every person in this photo (just now, from Doug Mills of the NYT):

Portrait.jpg


But why didn't I take more Fine Arts classes in college? Then I would know exactly which Old Master tableau this lineup so powerfully reminds me of. The human dramas suggested by these faces. This is an impromptu work of art.

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