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Art

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Reviews

Lyubov Popova's work was an inspiration for Russia's avant garde

Rodchenko & Popova: Defining Constructivism, Tate Modern, London

'Either do houses or do art, but not both,' snapped one critic. But these avant-garde Russians paved the way for Warhol

Inside Reviews

Sean Snyder, Index ICA, London (Rated 1/ 5 )

Thursday, 12 February 2009

This is an extremely dull and earnest show by an American artist about very serious themes. These are alluded to in a series of monochromatic photographs on the right-hand wall of the downstairs gallery. Here we see pictures of the various devices we have used in recent years to record what happens in our lives, like cassette tapes from those small, portable tape-recorders that, technologically speaking, used to be the newest of the new. Video tapes are here too.

Playground: Bob & Roberta Smith's 'Off Voice Fly Tip', one of the fun pieces in 'Altermodern'

Altermodern: Tate Triennial, Tate Britain, London

Sunday, 8 February 2009

The latest critical theory may reduce you to tears, but the art it inspires is engaging and entertaining

Grand design: Palladio?s architectural model of Il Redentore. The real building is situated on the island of Giudecca, Venice

Palladio, Royal Academy of Arts, London (Rated 2/ 5 )

Thursday, 5 February 2009

Any visitor to London's Royal Academy of Arts comes charged with expectations that he or she will see a show that combines intellectual merit with visual panache. There have been many past triumphs, from the great show devoted to the arts of Africa, to the more recent survey of Western portraiture in collaboration with the Grand Palais in Paris.

Dodi Reifenberg: See how you feel..., Maddox Arts, London (Rated 3/ 5 )

Tuesday, 3 February 2009

Eye-catching: 'Ghost' by Kader Attia, representing Muslim women at prayer

Unveiled: New art from the Middle East (Rated 3/ 5 )

Monday, 2 February 2009

Saatchi’s tour of the Middle East

Faceless women: Kader Attia's 'Ghost' looks like a room full of baked potatoes

Unveiled: New Art from the Middle East, Saatchi Gallery, London

Sunday, 1 February 2009

Two cultures, both united and divided by their beliefs and histories, are laid bare in an impressive new exhibition

Unique Forms: The drawing and sculpture of Umberto Boccioni, Estorick Collection, London (Rated 3/ 5 )

Tuesday, 27 January 2009

What the future looked like then

Superabundant: A Celebration of Pattern, Turner Contemporary, Margate

Sunday, 25 January 2009

A disused high-street store is the setting for a study in 'prettiness with intent'

Edward Burtynsky: Australian Minescapes, Flowers East, London (Rated 3/ 5 )

Wednesday, 21 January 2009

A photographer mining a richly dramatic seam

Cause and effect: Danish collective Superflex created a branch of McDonald's, flooded it, and captured the ensuing chaos on film.
The result, at the South London Gallery, is a pointed but playful commentary on the impact of consumerism on the environment

Superflex: Flooded McDonald's, South London Gallery, London

Sunday, 18 January 2009

Imagine if a rising tide caused by global warming claimed the very things that contributed to it

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FIVE BEST EXHIBITIONS

Keith Arnatt (Henry Moore Institute, Leeds)
His slogan was “I’m a real artist”. The singular Welsh conceptualist, performer, sculptor and photographer with an eye for humour, who died recently. (0113-246 7467) to 26 Apr

Subversive Spaces (Whitworth Art Gallery, Manchester)
The fantastical, dreamlike, disordered world of the Surrealists, with Max Ernst, Gregor Schneider, Lucy Gunning and others. (0161-275 7450) to 4 May

Anna Barriball (Frith St Gallery, London)
The British sculptor cuts out, rubs and draws using a repertoire of domestic objects. In her new work, she creates abundant, verdant patterns out of chintzes and curtains. (020-7494 1550) to 6 Mar

Altermodern: Tate Triennial 2009 (Tate Britain, London)
Is contemporary art still alive? The Tate’s three-year check-up has Bob and Roberta Smith, Gustav Metzger, Mike Nelson, Lindsay Seers and others. (020-7887 8888) to 26 Apr

Rodchenko and Popova: Defining Constructivism (Tate Modern, London)
The cream of the Russian avant-garde circa 1917: Aleksandr Rodchenko and Liubov Popova did everything – design, film, costume, photography and theatre – to dazzling effect. (0207-887 8888) to 17 May