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Tariq Ali is a novelist, essayist, and BBC commentator who was among the best-known radical student leaders in late 1960s Britain. One of the ways he distinguishes himself from his anti-war contemporaries is via prodigious and multidisciplinary cultural knowledge; he once collaborated with avant-garde filmmaker Derek Jarman on a film about the philosopher Ludwig Wittgenstein, for instance.
Bush in Babylon benefits greatly from such knowledge. The book is essentially a harsh critique of the way the Bush administration has dealt with Iraq in the wake of 9-11, referred to as "corporate looting." The most captivating chapter centers on the history of Iraqi resistance as exemplified in poetry made by Iraqis in exile. Ali translates important contemporary works by poets who left during Hussein's regime but are still denied entry back into Iraq by Coalition forces. These are works that have traveled from the Internet to the oral tradition, to become instant spoken-word hits, and they provide a fascinating glimpse into the Iraqi situation that one cannot simply find in a daily newspaper in the West or on CNN. Ali's biggest fault is an undisguised disgust for the "imperialist" United States government. When he lists the casualties in Hiroshima and Nagasaki alongside those in Vietnam with no discussion of the difference between the two events, he alienates many potential fans of his important work.
Bush in Babylon has a lot going for it, despite a polemical tone which invariably grates as one marches through this smart, well-researched book.
--Mike McGonigal
--This text refers to the
Hardcover
edition.
From Publishers Weekly
London-based writer and filmmaker Ali has followed his careful and elaborate study of Islam and imperialism, The Clash of Fundamentalisms, with this short and quick response to the 2003 Iraq war. This time around, he delivers a plaintive, choppy rant instead of an organized, thorough analysis. Appalled by Western (he calls it Northern) arrogance, he begins by condemning local collaborators and praising the "purity and moral integrity" of poets and children (who taunt the occupiers). After two chapters of this high-handedness, he rapidly shifts his focus away from the social and cultural and launches into a political history of modern Iraq. Starting with the post-WWI British occupation and ending with the current U.S.-British occupation, he contends that the era between these official occupations was an interruption of the natural expansion of the capitalist order by the very real threat of a global Communist revolution. The countries of the South might not have been physically occupied by the rival Northern powers, but they were patronized, infiltrated and manipulated. The current conquest of Iraq, Ali concludes, is "part of a long historical process that was disrupted by the twentieth century and is now back on course." What disrupted the process was the Cold War, and now that the Soviet Union is gone, there is no serious obstacle-other than indigenous resistance-in the path of colonial capitalism. Ali's summary of history from inside the radical Arab left-he gives extended attention to 1958, the peak of popularity for the Iraqi Communist Party-is intended as "a warning to both occupier and resister" that the current course of history is toward more violence and inequality.
Copyright 2003 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
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