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Articles in March 2004 issue of Apollo
- French Inventories I: the Houses and Collections of the Marquis de Marigny
by Peter Hughes - All that glisters: selections from the Victoria and Albert Museum's base metal collections
by Angus Patterson - Books—old and new
by Nigel McKinley - Oh monstrous lamp! Wendy Bird examines the special effects in Goya's a scene from El Hechizado por Fuerza in the National Gallery, London
by Wendy Bird - The 12th British Antique Dealers' Association Antiques & Fine Art Fair Duke of York's Headquarters, Kings Road, Chelsea, London SW3 24-30 March
- After Hearst: Martin Chapman discusses acquisitions in European decorative arts at the Los Angeles County Museum of Art
by Martin Chapman - The Guidoriccio fresco: a new attribution: Thomas de Wesselow argues that the celebrated fresco, traditionally known as Guidoriccio, in Siena's Palazzo Pubblico, is not by Simone Martini, and proposes an alternative candidate
by Thomas de Wesselow - Thomas Hope's house in Duchess Street: the interiors created by Hope to display works of art in his London house were some of the most influential of the Regency age. A fuller story of their evolution can now be told, following the discovery of drawings b
by David Watkin - Haarlem genre painting: Dennis P. Weller visits an exhibition focussing on the artistry of Frans Hals and his contemporaries
by Dennis P. Weller - Kenwood's lost chapter: Julius Bryant reveals the forgotten story of the National Gallery's management of the Iveagh Bequest, 1928-49
by Julius Bryant - A nomad of the 1890s: a comprehensive restrospective only serves to prove that Charles Conder's best work was produced in his six Australian years
- Leonardo da Vinci on beauty and ugliness: Carmen C. Bambach praises a ground-breaking exhibition of Leonardo's drawings from the Royal Collection
by Carmen C. Bambach - The Pleasures of Antiquity: Gertrud Seidmann welcomes Jonathan Scott's masterly survey of British collectors of Greek and Roman antiquities
by Lisa Pon - Raphael, Cellini and a renaissance banker: the patronage of Bindo Altoviti: Yasmine Helfer reviews a long awaited exhibition in Boston and Florence, which brings together the portraits of a remarkable patron
by Yasmine Helfer - Cellini and the Principles of Sculpture
by Lisa Pon - Hendrick Goltzius and Willem van Tetrode: two related exhibitions have admirably demonstrated a refreshingly outward-looking side of renaissance Dutch art
by Vanessa Schmid - A Fanfare for the Sun King: Unfolding Fans for Louis XIV
by Harley Preston