If you have been reading Green Arrow, you know what to expect from Sorrentino's art. He does the same great work in this issue, especially in the darker, more brutal moments. This issue is light on action, and the characters tend to look a little stiff and awkward when they are just talking. When people's heads start exploding and the such, it looks great, but there's not a ton of that here. Colorist Marcelo Maiolo does some fine work, as well, only briefly using the black and white panels this series has become known for. Benjamin is the co-writer of Captain Ultimate and a vicious lover of Godzilla. Follow Benjamin on Twitter @616Earth, or find him on IGN.
If you have been reading Green Arrow, you know what to expect from Sorrentino's art. He does the same great work in this issue, especially in the darker, more brutal moments. This issue is light on action, and the characters tend to look a little stiff and awkward when they are just talking. When people's heads start exploding and the such, it looks great, but there's not a ton of that here. Colorist Marcelo Maiolo does some fine work, as well, only briefly using the black and white panels this series has become known for. Benjamin is the co-writer of Captain Ultimate and a vicious lover of Godzilla. Follow Benjamin on Twitter @616Earth, or find him on IGN.
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Green Arrow #23.1: Count Vertigo Review
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Green Arrow #23.1: Count Vertigo is a dark issue that explores the childhood of one sick, sick dude. Total momma's boy.
Benjamin Bailey