Includes bibliographical references (pages 221-238) and index.
Contents
Introduction: Black and Red All Over? -- 1. Kitchen Mechanics and Parlor Nationalists: Andy Razaf, Black Bolshevism, and Harlem's Renaissance -- 2. Home to Moscow: Claude McKay's: The Negroes in America and the Race of Marxist Theory -- 3. The Proletarian as New Negro; the New Negro as Proletarian: Mike Gold Meets Claude McKay -- 4. Scottsboro Delimited: White Bait, Red Triangles, and Interracialism Between Men -- 5. Black Belt/Black Folk: The End(s) of the Richard Wright-Zora Neale Hurston Debate -- 6. Native Sons Divorce: A Conclusion.
Summary
In a broad-ranging, revisionary account of the relationship between African-American literary culture and Communism in the 1920s and 1930s, Maxwell uncovers both black literatures debt to Communism and Communisms debt to black literature, reciprocal obligations first incurred during the Harlem Renaissance.