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Acknowledgments | 7 | |||||
Introduction / Mica Howe, Sarah Appleton Aguiar | 9 | |||||
Appropriating the Golem, Possessing the Dybbuk: Female Retellings of Jewish Tales / Ruth Bienstock Anolik | 23 | |||||
The Reclamation of the Feminine Divine: "Walking in My Body Like a Queen" in Lee Smith's Fair and Tender Ladies / Linda J. Byrd | 42 | |||||
The Red Cow Effect: The Metamorphosis of Hallowing the Hollow and Hollowing the Hallow / Bracha Lichtenberg Ettinger | 57 | |||||
Signifyin(g) Sex: Gloria Naylor's Bailey's Cafe and Western Religious Tradition / Lynn Alexander | 91 | |||||
Taking America as a Lover: Contemporary Women "Engage" the American / Merri Lisa Johnson | 106 | |||||
Lolita Talks Back: Giving Voice to the Object / Timothy McCracken | 128 | |||||
I Will Not Wear that Coat: Cross-Dressing in the Works of Dorothy Allison / Connie D. Griffin | 143 | |||||
Instructions for Survival - or Plans for Disaster? Young Adult Novels with Mythological Themes / Elise Earthman | 161 | |||||
Galatea: Rewritten and Rewriting / Ellen Peel | 176 | |||||
(Dis)Obedient Daughters: (Dis)Inheriting the Kingdom of Lear / Sarah Appleton Aguiar | 194 | |||||
Mingling and Unmingling Opposites: Bending Genre and Gender in Ann-Marie MacDonald's Goodnight Desdemona (Good Morning Juliet) / Beverley Curran | 211 | |||||
"On Which [we] Looked Up at Her": Henry James's and Jane Campion's Portrait(s) of a Lady / Jamie Barlowe | 221 | |||||
He Said Che, She Says No: Apocalyptic Discourse and Awakening from the Cuban Fantasy in Chely Lima's Confesiones Nocturnas / Mica Howe | 241 | |||||
Purloining The Scarlet Letter: Bharati Mukherjee and the Apocryphal Imagination / Christian Moraru | 253 | |||||
To Speak with the Voices of Others: Kathy Acker and the Avant-Garde / Svetlana Mintcheva | 267 | |||||
List of Contributors | 287 | |||||
Index | 290 |
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